The result is Hybrid, a pop album that blends various styles of soft rhythm and blues, jazz vocalizing, world music and electronica. Alternately sultry and ethereal, Elsiane’s debut album is best suited for late night listening.
Some of the instrumentation is unexpected. There’s the slightly melancholic “In a Crisis...” that consists of a lone cello with some subtle effects. They even add an erhu, a Chinese fiddle, at the close of the first song. “Paranoia” adds a Middle Eastern-tinged pulse, rounding out what would otherwise be a strictly pop album.
The sound brings to mind Portishead with a Sade vibe. Caplette’s breathy and deliberate vocal stylings sometimes sound as if they should be coming out of a Victrola.
The band’s emphasis on melody comes across strongest in “Mend (To Fix, To Repair),” which hints at Angelo Badalamenti in its final moments. If only they included more and longer moments like that, then this would be a more compelling album. The recording suffers from a bit too much polish (the wikipedia entry for producer David Kakon associates him with Cirque du Soleil), but the musicianship throughout is noteworthy.
Hybrid is currently available.