Usher Raymond IV just turned 27. That’s a pretty good time to step back,
maybe take stock of his life.
"That’s kind of what I’m doing right now," the singer-dancer-entrepreneur
and would-be movie star says. "Stepping back from the music, a little, just
to see what’s there."
He has a new three-disc DVD based on his "Truth Tour," with a behind-the-scenes
documentary, which he narrates, and footage of his blockbuster concert stop in
Atlanta, his hometown. There’s a clothing line, custom gift cards, and more
copies of his hit CDs – Confessions, 8701 – to move.
And a movie, In the Mix, starring Usher just opened last week. The man gets around.
"You know, I was just in Orlando."
That’s right. And guess what he was doing?
"Shopping."
It’s a standing joke among his fans. Usher runs late to this chat show or
that autograph signing because the man loves to shop. He’s so personable,
a funny blend of too-cocky and self-deprecating, that he manages this without
being obnoxious. Even when he’s buying things his fans could only dream of.
Usher dropped in on Orlando’s National Business Aviation Convention, a trade
show where he could sample the latest Gulfstream and Bombardier jets. A guy with
this much going on, with this much coming in, has got to get where he’s got
to go in style. If the president of this personal jet firm or that one gives him
a tour of their wares, it’s no more than Usher has earned.
"Just looking, just looking," he says, and laughs again. But he’s
seriously looking.
It’s good to be Usher, what with the Top Ten hits, the sold-out tours, and
now a major motion picture.
The move to movies isn’t a sudden one. A performer since childhood, he has
dabbled in films, from The Faculty (1998) to Texas Rangers (2001).
But In the Mix is a starring role, "a guy I could relate to, a guy I think
my fans can relate to," he says.
Darrell, his character, is a New York club DJ who saves the life of a mob boss
(Chazz Palminteri) by accident. The mobster puts Darrell on the job, protecting
his fetching daughter (Emmanuelle Chriqui). And, as they say, the sparks fly.
Ron Underwood (Tremors, Heart and Soul) directed, and veteran heavy Robert Davi
is also in the cast.
"I want to be a little bit of everything on the screen," Usher says.
"A little romantic, a little funny, maybe a little tough, too."
The romantic thing comes easily. An R&B singer famous for his onstage bumps
and grinds and PG-13 pop – songs like "My Boo," "You Make
Me Wanna," and the like are why he can play to packed, screaming, mostly
female audiences from Atlanta to Adelaide.
The spectacle onstage marries "boundless energy" with great choreography,
notes the BBC’s Brady Haran in a review of a recent Nottingham show. And
costume changes and innuendo.
Usher has had sound advice as he branches out into more than just music. His godfather
is Tony-winning "triple threat" Ben Vereen, an actor who could sing
and dance as well as act.
"Ben gives me advice on everything," says Usher. "People talk about
me doing things very similar to the way Will Smith did them. But as much as I
respect what Will’s done in movies, I’m more about the music and the
dancing, right now. Ben is my mentor."
The discipline it takes to polish dancing moves, to bend his voice to that perfect
girls-will-squeal croon, is good preparation for the film world, he says. He has
the focus to do the work, to manage a career that includes all manner of products,
including his own record label with a growing stable of rising stars.
And he has the need for work. Any man shopping for jets has some pretty serious
overhead. He has a line he likes to use in explaining that.
"I am, like the DVD says, a ‘single black male addicted to retail.’"
© 2005, The Orlando Sentinel (Fla.).
Distributed by Knight Ridder/Tribune Information Services.
Article posted on 11/28/2005
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