| Title |
Headline |
Issue |
Year |
|
The Taste of Things (IFC Films): |
|
2024 |
|
‘The Zone of Interest’ review: In this unforgettable Holocaust film, life outside of Auschwitz: |
|
2024 |
|
‘Rebel Moon — Part One: A Child of Fire’ review: Snyder makes soulless ‘Star Wars’: |
|
2023 |
|
Timothée Chalamet is ideal in excellent, crowd-pleasing 'Wonka': |
|
2023 |
|
Thoughtful and complex, 'American Fiction' signals arrival of exciting new filmmaker: |
|
2023 |
|
'Boy and the Heron' is another masterpiece from legendary Japanese animator: |
|
2023 |
|
'Renaissance: A Film by Beyoncé' delivers a concert experience and the sweat behind it: |
|
2023 |
|
Bradley Cooper wields the baton as Leonard Bernstein. But Carey Mulligan conducts the movie: |
|
2023 |
|
The gripping 'Four Daughters' spotlights a shattered Tunisian Arab family: |
|
2023 |
|
‘The Holdovers’ review: Have a merry sweet-and-sour ‘70s Christmas with Paul Giamatti and company: |
|
2023 |
|
‘The Killer’ review: Fincher crafts captivating portrait of meticulous assassin: |
|
2023 |
|
Parody, melody and blasphemy come together in 'Dicks: The Musical': |
|
2023 |
|
‘Stop Making Sense’ review: Yes, it’s the best of all concert films, now with a 4K restoration: |
|
2023 |
|
'The Changeling' review: A grim fairy tale about parenthood and New York City: |
|
2023 |
|
'Gran Turismo' a shiny ride that's lacking under the hood: |
|
2023 |
|
‘Theater Camp’ review: Hello muddah, hello faddah, camp is pretty entertaining: |
|
2023 |
|
'The Miracle Club' review: Acting from quartet lifts otherwise mediocre drama: |
|
2023 |
|
'Bird Box Barcelona' review: Stay blindfolded: |
|
2023 |
|
'Sound of Freedom' makes its point, loud and clear: |
|
2023 |
|
'Earth Mama,' Savanah Leaf's portrait of Black motherhood, is a quietly extraordinary debut: |
|
2023 |
|
'Full Circle' review: Soderbergh's style distracts in this new crime drama: |
|
2023 |
|
In Paul Schrader's disappointing 'Master Gardener,' a violent racist turns over a new leaf: |
|
2023 |
|
‘White Men Can’t Jump’ review: Hustling and hoop dreams, remade: |
|
2023 |
|
Scorsese's 'Killers of the Flower Moon' grips, disturbs — and disappoints: |
|
2023 |
|
Halle Bailey makes a lovely 'Little Mermaid,' but this remake is less than shipshape: |
|
2023 |
|
Trace Lysette shines in the quietly powerful 'Monica': |
|
2023 |
|
'It Ain't Over' Sets the Record Straight: |
|
2023 |
|
'70s-style exploitation flick 'Sisu' won't seize you: |
|
2023 |
|
Carmen (Sony Pictures Classics) | Opens at the Angelika at Mosaic in Fairfax on May 5th: |
|
2023 |
|
Rockumentary master Martin Scorsese does it again, with New York Dolls' David Johansen: |
|
2023 |
|
'Mafia Mamma' a daring, charming take on woman's midlife crisis: |
|
2023 |
|
‘Renfield’ review: In a movie of blood vs. laughs, Nicolas Cage knows his Dracula: |
|
2023 |
|
'John Wick: Chapter 4' delivers with sublime action, locales: |
|
2023 |
|
'Sharper' review: Nobody is what they seem in this actor's paradise of a caper: |
|
2023 |
|
Newcomer Park finds her rhythm in 'Return to Seoul': |
|
2023 |
|
The powerful 'Filmmakers for the Prosecution' shows how cinema held Nazi war criminals to account: |
|
2023 |
|
Film Review - Jesse Eisenberg's directorial debut, When You Finish Saving The World: |
|
2023 |
|
Bill Nighy's elegant performance shows character's zest for 'Living': |
|
2023 |
|
‘Broker’ soars as satisfying, strange road trip: |
|
2023 |
|
‘Corsage’ review: Vicky Krieps excels as an Austrian empress throwing away caution, pomp and circums: |
|
2023 |
|
Baumbach struggles to get his arms around DeLillo’s ‘White Noise,’ but he gives it ol’ college try: |
|
2022 |
|
'Violent Night' can't decide if it wants to play naughty or nice: |
|
2022 |
|
Style, action, crisp effects pull together an entertaining 'Black Adam': |
|
2022 |
|
Viewers are screaming, crying, throwing up over killer clown flick 'Terrifier 2': |
|
2022 |
|
Cate Blanchett's blistering performance drives powerful 'Tár': |
|
2022 |
|
Well done, Hamm – ‘Confess, Fletch’ is a winner: |
|
2022 |
|
Ken Burns’ new documentary reveals painful truths about ‘The U.S. and the Holocaust’: |
|
2022 |
|
‘Loving Highsmith’ takes deep dive into woman behind the psychological thrillers: |
|
2022 |
|
‘The Story of Film: A New Generation’ revels in new cinema: |
|
2022 |
|
The winners and losers of a muted Telluride Film Festival: |
|
2022 |
|
Olivia Wilde's scandal-ridden 'Don't Worry Darling' isn't good — or bad — enough: |
|
2022 |
|
'Funny Pages,' a blistering, comedic portrait of a teen cartoonist, isn't a calm mix: |
|
2022 |
|
‘The Good Boss’ a satisfying sendup of workplace hypocrisy: |
|
2022 |
|
Movie review: 'The Black Phone' a brutally violent take on recent horror trend: |
|
2022 |
|
'Cha Cha Real Smooth' a sweet, honest snapshot of post-college malaise: |
|
2022 |
|
Maverick' review: The danger zone has never felt so dangerous (and worth watching): |
|
2022 |
|
'The Innocents' a powerful horror film about supernaturally gifted children: |
|
2022 |
|
‘Doctor Strange in the Multiverse of Madness’ review: Sam Raimi drags the Marvel universe halfway to: |
|
2022 |
|
‘The Staircase’ review: Now streaming on HBO Max: |
|
2022 |
|
In ‘Unbearable Weight of Massive Talent,’ Nicolas Cage plays himself: |
|
2022 |
|
'Nightmare Alley' is a real beast: |
|
2021 |
|
‘Red Rocket’ review: Simon Rex is an ex-porn star, returning to hustle his Texas hometown: |
|
2021 |
|
Spielberg’s 'West Side Story' a dazzling update of classic musical: |
|
2021 |
|
Nicole Kidman has a ball with Lucy in the fitfully effective 'Being the Ricardos': |
|
2021 |
|
This look at legendary chef Julia Child delivers food porn of the highest order: |
|
2021 |
|
'Encanto' completes Lin-Manuel Miranda's 2021 musical hat trick: |
|
2021 |
|
'C'mon C'mon' finds Joaquin Phoenix pivoting from 'Joker' to his sweet side: |
|
2021 |
|
'The Humans' serves up a turkey dinner with a side of dread: |
|
2021 |
|
Lady Gaga enlivens 'House of Gucci' movie but it trips on the runway: |
|
2021 |
|
‘Guardians of the Galaxy’ captures what fans love about the films: |
|
2021 |
|
'Colin in Black & White' shows that racism in sports runs deep: |
|
2021 |
|
‘The Souvenir Part II’ is the year’s best sequel — and one of the year’s best movies: |
|
2021 |
|
Tessa Thompson and Ruth Negga illuminate the beautifully complex drama of 'Passing': |
|
2021 |
|
In Marvel's epic 'Eternals,' a cosmic breath of fresh air ultimately turns stale: |
|
2021 |
|
‘Dune’ Review - Science fiction epic gets a movie that’s hypnotically beautiful. Is that enough?: |
|
2021 |
|
'Found' Review: |
|
2021 |
|
‘The French Dispatch’ review: |
|
2021 |
|
Sorry, haters, the movie version of 'Dear Evan Hansen' isn't a train wreck: |
|
2021 |
|
With a return to Westerns, ‘Cry Macho’ is a sunset rodeo for Clint Eastwood at 91: |
|
2021 |
|
Breaking down ‘The Card Counter’ ending: Here’s what that final shot means to Paul Schrader: |
|
2021 |
|
In James Wan's 'Malignant,' the end sort of justifies its means: |
|
2021 |
|
Rebecca Hall shines as haunted widow in 'The Night House': |
|
2021 |
|
'Free Guy' a hit-and-miss look at video game culture: |
|
2021 |
|
In 'The Green Knight,' heads roll, especially yours: |
|
2021 |
|
'All the Streets Are Silent' tries to say too much in too little time: |
|
2021 |
|
Oscar winner's new movie follows Matt Damon's character wherever he goes: |
|
2021 |
|
‘Summertime’ review: LA stories and dreams in pockets, guided by spoken-word poetry: |
|
2021 |
|
A brutal coming-of-age story about the eradication of feeling: |
|
2021 |
|
'Genius: Aretha' respects Franklin's music. But there's nothing like the real thing : |
|
2021 |
|
'Nobody' is a lean, mean and brutish dadsploitation flick: |
|
2021 |
|
Jeremy Piven traipses down memory lane in ‘slice of life’ film ‘Last Call’: |
|
2021 |
|
Anthony Hopkins gives desperately humane performance as man with dementia in 'The Father': |
|
2021 |
|
In ‘Minari,’ the American dream is held up to the light and examined for cracks: |
|
2021 |
|
A moving story of grief in the wild, Robin Wright's directing debut doesn't fully 'Land': |
|
2021 |
|
‘One Night in Miami’ review: Malcolm X, Cassius Clay, Sam Cooke and Jim Brown play the king’s gambit: |
|
2021 |
|
New film, "MLK/FBI," explores how FBI tracked Martin Luther King Jr. for years: |
|
2021 |
|
Carey Mulligan holds the wild revenge-thriller provocations of 'Promising Young Woman' together: |
|
2020 |
|
In 'Ma Rainey's Black Bottom,' Chadwick Boseman gives his final and finest performance: |
|
2020 |
|
The brilliant, infuriating Romanian health care documentary 'Collective' is a COVID-era must-see: |
|
2020 |
|
'Come Play' builds relatable horror via smartphone app: |
|
2020 |
|
'Borat Subsequent Moviefilm' review: Trump's America gets caught with its pants down: |
|
2020 |
|
‘Martin Eden’ a love letter to a century of Italian cinema: |
|
2020 |
|
‘Class Action Park’ review: Welcome back to the world’s most dangerous waterpark: |
|
2020 |
|
HBO’s new documentary series ‘The Vow’ puts the Nxivm cult under the TV microscope: |
|
2020 |
|
Wacky ‘An American Pickle’ pits a deft Seth Rogen against himself: |
|
2020 |
|
How Ron Howard’s ‘Rebuilding Paradise’ reimagines releasing a movie during a pandemic: |
|
2020 |
|
World War II is hell (again) in ‘The Painted Bird’: |
|
2020 |
|
Movie review: With perfectly matched stars, ‘Palm Springs’ finds the crazy joy in repetition: |
|
2020 |
|
Coachella, meet Couchella: New documentary is a breezy desert daze: |
|
2020 |
|
In ‘Premature,’ a young New Yorker explores love, language and herself: |
|
2020 |
|
With restraint, ‘The Assistant’ reveals the true terror of a Harvey Weinstein type: |
|
2020 |
|
‘Bad Boys for Life’ refreshing tribute to ’90s action cinema: |
|
2020 |
|
‘Star Wars: The Rise of Skywalker’ reviews: The force is not strong with this one: |
|
2019 |
|
‘Terminator: Dark Fate’: Linda Hamilton saves the world, and a franchise is lifted out of mediocrity: |
|
2019 |
|
‘A German Youth’ documents the radicalization of the Baader Meinhof Gang: |
|
2019 |
|
Anti-Nazi satire ‘Jojo Rabbit’ has plenty of bark, but no bite: |
|
2019 |
|
A man named Nanook lives in a yurt and goes his own way in ‘Ága’: |
|
2019 |
|
‘Pain and Glory’ is Pedro Almodóvar at his best: |
|
2019 |
|
Natalie Portman stays on course in the fascinatingly messy ‘Lucy in the Sky’: |
|
2019 |
|
Don’t call ‘Judy’ Renee Zellweger’s ‘comeback.’ It’s just one of her best performances ever: |
|
2019 |
|
Stunning ‘Ad Astra’ eclipsed by writing problems: |
|
2019 |
|
‘Where’s My Roy Cohn?’ a fascinating exploration of the man who wrote Trump’s playbook: |
|
2019 |
|
‘Good Boys’ hilariously captures sweet, sour middle school moments: |
|
2019 |
|
Garret Price’s moving documentary profiles the late ‘Star Trek’ actor Anton Yelchin.: |
|
2019 |
|
‘Brian Banks’ review: A young football star, convicted of rape, and his long road to exoneration: |
|
2019 |
|
Horror film ‘Midsommar’ is so scary, it may drive you out of the theater: |
|
2019 |
|
Maiden documentary navigates more than the ocean: |
|
2019 |
|
Movie review: In this troubling reboot, plot gets ‘Shaft’: |
|
2019 |
|
‘Men in Black: International' Review: |
|
2019 |
|
Jim Jarmusch’s ‘Dead Don’t Die’ sinks its fun, meta teeth into the zombie genre: |
|
2019 |
|
‘The Spy Behind Home Plate’ presents a ballplayer who was one of a kind: |
|
2019 |
|
With brilliant performances, script, ‘Booksmart’ is one of the best high school movies of all time: |
|
2019 |
|
‘The Sun Is Also A Star’ believes that love is the answer: |
|
2019 |
|
‘Non-Fiction’ is a smart and sassy French romantic comedy: |
|
2019 |
|
‘General Magic’ profiles the people who created a smartphone, and then lost everything: |
|
2019 |
|
‘John Wick 3’ doesn’t break the violent action film formula: |
|
2019 |
|
Refreshing ‘Long Shot’ makes Rogen, Theron a winning pair: |
|
2019 |
|
‘The Intruder’ sholocky yet satisfying social horror: |
|
2019 |
|
Five revelations we learned about the future of ‘Star Wars’ at Celebration: |
|
2019 |
|
‘Us’ is a whip-smart modern horror instant classic: |
|
2019 |
|
‘Ruben Brandt, Collector’ review: Art mystery, schmart mystery: |
|
2019 |
|
‘Wrestle’ grabs you and won’t let go: |
|
2019 |
|
Riveting ‘Apollo 11’ takes us back in time with original moon mission footage: |
|
2019 |
|
‘Greta’ gets a boost from Isabelle Huppert’s freaky, funny performance: |
|
2019 |
|
‘Leaving Neverland’ - Michael Jackson doc at its best when it focuses on families who were affected: |
|
2019 |
|
‘Alita: Battle Angel’ stumbles along in mediocrity: |
|
2019 |
|
‘Glass’ review: M. Night Shyamalan lectures us on comics mythology until you wanna break something: |
|
2019 |
|
‘Stan & Ollie’ review: Steve Coogan, John C. Reilly shine as comedy lions in winter: |
|
2019 |
|
Polish documentary ‘Communion’ goes deep inside one family’s dynamics: |
|
2019 |
|
‘Bumblebee’ is a sweet, refreshingly small-scaled ‘Transformers’ prequel: |
|
2018 |
|
The terrific animated film ‘Spider-Man: Into the Spider-Verse’ opens a whole new web of intrigue: |
|
2018 |
|
‘Ballad of Buster Scruggs’ review: The Coen Brothers order up a Western omelette: |
|
2018 |
|
Steve McQueen’s ‘Widows’ is a heist thriller with a vengeance — and a conscience: |
|
2018 |
|
‘At Eternity’s Gate’ review: Willem Dafoe, Oscar Isaac enter a vivid van Gogh landscape: |
|
2018 |
|
‘Creed II’ review: Michael B. Jordan’s Adonis orders a White Russian to go — on the MAT!: |
|
2018 |
|
Under the Wire defiantly explores the imperative value and humanity of our press: |
|
2018 |
|
‘A Private War’ is a deft look at the human cost of storytelling: |
|
2018 |
|
‘Suspiria’ in the time of Trump: Luca Guadagnino warns, Look back into where we come from: |
|
2018 |
|
‘Wildlife’ review: Paul Dano directs Carey Mulligan in stirring adaptation of a fractured marriage: |
|
2018 |
|
Rami Malek makes a fab Freddie Mercury, but ‘Bohemian Rhapsody’ will not rock you: |
|
2018 |
|
On Her Shoulders: the emotional price of Nadia Murad's pursuit for justice: |
26.5 |
2018 |
|
Border attempts to shake genre conventions, but gets lost in its own ambitions: |
26.5 |
2018 |
|
‘Mid90s’ is a well-executed slice of ’90s nostalgia: |
|
2018 |
|
Kathryn Hahn and Paul Giamatti’s couple struggles with fertility woes in the sharp: |
|
2018 |
|
In the current political climate, ‘The Oath’ is a frustrating watch: |
|
2018 |
|
‘Bad Times at the El Royale’ lacks substance, but it’s beautiful to watch: |
|
2018 |
|
In ‘The Hate U Give,’ a Starr is born, thanks to Amandla Stenberg: |
|
2018 |
|
‘First Man,’ starring Ryan Gosling as Neil Armstrong, thrills, moves and perplexes: |
|
2018 |
|
The multiple perspectives of a police shooting richly explored in Monsters and Men: |
26.5 |
2018 |
|
‘Science Fair’ is a winner, even in a year of extraordinary documentaries: |
|
2018 |
|
‘Colette’ review: Keira Knightley excels as the ghostwriter who said: time’s up: |
|
2018 |
|
‘Night School’ review: Mediocre material fails a promising pairing, skilled ensemble: |
|
2018 |
|
John C. Reilly and Joaquin Phoenix play ‘The Sisters Brothers’: |
|
2018 |
|
Free Solo is a jaw-dropping exploration of climber Alex Honnold's unimaginable feat: |
26.5 |
2018 |
|
Unbroken: Path to Redemption fails to capture the drama of Louis Zamperini's post-war life: |
26.5 |
2018 |
|
A tour of the people who elected Trump in American Chaos: |
26.5 |
2018 |
|
‘White Boy Rick’ a tragic, tender tale of legendary teen drug kingpin: |
|
2018 |
|
Kusama-Infinity: more than just a biography of an artist: |
26.5 |
2018 |
|
Hal: the revolutionary works and quirks of dir. Hal Ashby: |
26.5 |
2018 |
|
‘The Oslo Diaries’ looks back at a turning point in Israel and Palestine relations: |
|
2018 |
|
‘Crime + Punishment’ delves into the NYPD’s ticketing quotas: |
|
2018 |
|
Chloë Grace Moretz stars in brave, empathetic gay conversion drama, The Miseducation of Cameron Post: |
|
2018 |
|
New drama Puzzle has charm, but leaves more curiosity in its wake: |
26.5 |
2018 |
|
‘Sorry to Bother You’: The funniest movie you’ll ever see about labor organizing: |
|
2018 |
|
Searing French drama ‘Custody’ is an unforgettable experience: |
|
2018 |
|
‘Blindspotting’ deftly examines white privilege, police brutality: |
|
2018 |
|
‘The Equalizer 2’ coasts on Washington’s charms: |
|
2018 |
|
‘Sicario: Day of the Soldado’ expands political hopelessness, violence: |
|
2018 |
|
An art heist gone wrong is a film done right in American Animals: |
26.5 |
2018 |
|
‘Adrift’ is profound tale of woman’s will to survive: |
|
2018 |
|
‘Deadpool 2’ explosion of crass comedy, amazing action: |
|
2018 |
|
The Seagull: a Chekhov play finds new life on screen: |
26.5 |
2018 |
|
RBG is the superhero movie we didn't know we needed: |
26.5 |
2018 |
|
Mammoth Marvel mash-up ‘Avengers: Infinity War’ has its charms: |
|
2018 |
|
‘Tully’ is deep yet concise rumination on motherhood: |
|
2018 |
|
A classic tennis rivalry is dramatized in ‘Borg vs. McEnroe’: |
|
2018 |
|
‘1945’ is a lean, unadorned parable about guilt and the nature and consequences of evil: |
|
2018 |
|
‘Chappaquiddick’ holds Kennedy accountable for tragic incident: |
|
2018 |
|
Bryan Cranston, Bill Murray get their bark on for Wes Anderson’s ‘Isle of Dogs’: |
|
2018 |
|
In Lynn Shelton’s moving drama ‘Outside In,’ Jay Duplass is poignant as an ex-con in love: |
|
2018 |
|
‘Breaking Point: The War for Democracy in Ukraine’ goes beyond headlines with a thorough approach: |
|
2018 |
|
SXSW premiere ‘Jinn’ is a fresh look at the teen coming-of-age film: |
|
2018 |
|
‘Love, Simon’ is so much more than a coming out story: |
|
2018 |
|
New doc The Giant Killer falls short of it's interesting subject: |
26.5 |
2018 |
|
‘Annihilation’ review: Natalie Portman leads journey to the center of the blob: |
|
2018 |
|
‘Black Panther’ is bound to be one of the best movies of 2018: |
|
2018 |
|
A heroic, surprising portrait of Gloria Allred in the admiring documentary ‘Seeing Allred’: |
|
2018 |
|
A Fantastic Woman: a hero worth rooting for, but a film that falls short: |
|
2018 |
|
‘The Last Jedi’ brings emotion, exhilaration and surprise back to the ‘Star Wars’ saga: |
|
2017 |
|
‘The Shape of Water’ is a fantastic fantasy: |
|
2017 |
|
‘The Shape of Water’ review: Del Toro’s fish tale is magical, romantic and dark: |
|
2017 |
|
I, Tonya is the fun, tragic, and untold story of Tonya Harding we all need to hear: |
26.5 |
2017 |
|
Documentary examines the political intrigue and medical mistakes that killed the shah of Iran: |
|
2017 |
|
Denzel Washington’s remarkable performance in ‘Roman J. Israel, Esq.’ isn’t helped by plot: |
|
2017 |
|
Pixar's 'Coco' sings a high-spirited but sometimes faltering tune: |
|
2017 |
|
‘Lady Bird’ review: Saoirse Ronan in enchanting coming-of-age tale: |
|
2017 |
|
'Thank You for Your Service' doesn't sugarcoat what soldiers face on homefront: |
|
2017 |
|
‘The Killing of a Sacred Deer’ forces us to watch the terror: |
|
2017 |
|
Rory Kennedy’s intimate look at Laird Hamilton reveals he’s steady on the edge: |
|
2017 |
|
‘Blade Runner 2049’ is a wondrous spectacle: |
|
2017 |
|
Powerful, yet not fully formed, Crown Heights is a hopeful take on a hopeless system: |
26.5 |
2017 |
|
Beach Rats and the loneliness of teenage sexuality: |
26.5 |
2017 |
|
New Jersey teen becomes a rap diva supreme in ‘Patti Cake$’: |
|
2017 |
|
Menashe’ gives us rare insight into Brooklyn’s Hasidic culture: |
|
2017 |
|
Columbus is an impressive, yet incomplete first go for dir. Kogonada: |
26.5 |
2017 |
|
Kathryn Bigelow shoots the ‘67 war at home in ‘Detroit’: |
|
2017 |
|
Lady Macbeth is a gorgeous and chilling tale of empowerment by lust and murder: |
26.5 |
2017 |
|
In Birthright: A War Story, the abortion debate isn't about abortion anymore: |
|
2017 |
|
‘War for the Planet of the Apes’ is a rare breed of blockbuster: |
|
2017 |
|
Love lingers, time flies in ‘A Ghost Story’: |
|
2017 |
|
Citizens of the City of Ghosts fight back in powerful new doc: |
26.5 |
2017 |
|
Errol Morris' New Doc The B-Side is a Lovely Portrait of a Portrait Photographer: |
26.5 |
2017 |
|
‘13 Minutes’ is story of man who tried to kill Hitler: |
|
2017 |
|
Bertrand Tavernier takes a journey: French filmmaker pays tribute to film: |
|
2017 |
|
New doc Good Fortune and the CEO of conscious capitalism: |
26.5 |
2017 |
|
The doc ‘Letters From Baghdad’ reveals the desert adventures of Gertrude Bell: |
|
2017 |
|
Gal Gadot is a wonder in ‘Wonder Woman’: |
|
2017 |
|
Meet the ultimate underdog in new doc Joshua: Teenager vs. Superpower: |
26.5 |
2017 |
|
Winger delights in ‘The Lovers’: |
|
2017 |
|
‘Alien Covenant’ is at odds with itself: |
|
2017 |
|
A strong Steve Coogan-led ensemble just about keeps ‘The Dinner’ on course: |
|
2017 |
|
It’s bulldozers vs. neighborhoods in ‘Citizen Jane,’ about activist Jane Jacobs: |
|
2017 |
|
‘Lost City of Z’ is a riveting adventure: |
|
2017 |
|
'Smashed: Motorized Mayhem': |
|
2017 |
|
“Burlesque: Heart of the Glitter Tribe” (XLrator Media): |
|
2017 |
|
‘Fifty Shades Darker’ is too silly to be sexy: |
|
2017 |
|
‘John Wick’ returns for more stylized violence: |
|
2017 |
|
Keaton fascinating as Kroc in ‘The Founder’ : |
|
2017 |
|
Pedro Almodovar’s radiant melodrama ‘Julieta’ is a work of subdued mastery: |
|
2016 |
|
‘Assassin’s Creed’ is an exciting, if strange, ride: |
|
2016 |
|
Natalie Portman embodies arresting portrait of a first lady in ‘Jackie’: |
|
2016 |
|
‘La La Land’ breathes new life into the movie musical: |
|
2016 |
|
‘Miss Sloane’ delves into hidden side of Washington: |
|
2016 |
|
Dir. Park Chan-wook's dazzling twisted romance, The Handmaiden: |
26.5 |
2016 |
|
The Eagle Huntress kicks butt in all the right places: |
26.5 |
2016 |
|
The Girl on the Train: |
|
2016 |
|
The Birth of a Nation: |
|
2016 |
|
Kicks takes us to the streets of Oakland and beyond with a little bit of magic and might: |
26.4 |
2016 |
|
The Lovers & the Despot: a tale of art, love, and kidnapping in North Korea: |
26.4 |
2016 |
|
A stellar cast isn't enough to make family dramedy The Hollars worth a visit home: |
26.4 |
2016 |
|
Howards End returns to theaters in dazzling 4k restoration and you should see it: |
26.4 |
2016 |
|
The People vs. Fritz Bauer proves how one man betrayed his country to save his country: |
26.4 |
2016 |
|
Moving yet not quite memorable, The Land shows us the dark side of skateboarding: |
26.4 |
2016 |
|
Equity: Finally, a Wall Street movie about women by women: |
26.4 |
2016 |
|
Star Trek Beyond is another solid addition to the franchise and a standout this summer: |
26.4 |
2016 |
|
Eat That Question - Frank Zappa in his Own Words is just that and remarkable in its own right: |
26.4 |
2016 |
|
Tickled: shocking new doc reveals the dark and twisted world of competitive tickling: |
26.3 |
2016 |
|
‘Central Intelligence’ full of comedy, Hart: |
|
2016 |
|
The Fits is a standout whimsical drama about belongingness and identity: |
26.3 |
2016 |
|
Weiner turns what once was a joke of a political scandal into an alluring tale of pathos: |
26.3 |
2016 |
|
From rags to drag, Viva is a Cuban story worth telling: |
26.2 |
2016 |
|
Elvis & Nixon: an absurd kind-of-true tale of two icons meeting: |
26.2 |
2016 |
|
Lots of faults won't bring Jake Gyllenhaal and Demolition down: |
25.8 |
2016 |
|
Strong performances can't make Miles Ahead woo us like its subject Miles Davis did: |
25.8 |
2016 |
|
‘Miles Ahead’ masterfully improvises its tune: |
|
2016 |
|
Richard Linklater’s ‘Everybody Wants Some!!’ is bigger than it looks, deeper than it seems: |
|
2016 |
|
‘City of Gold’ is amiable documentary on LA food writer Jonathan Gold: |
|
2016 |
|
My Golden Days reminds us that the past is an ugly, gorgeous thing: |
25.8 |
2016 |
|
Norway's first disaster film The Wave leaves a lasting impression: |
25.8 |
2016 |
|
Triple 9: not enough grit and grime in this dirty cop drama: |
25.8 |
2016 |
|
The future of weed journalism lost in the smoke in new doc Rolling Papers: |
25.8 |
2016 |
|
Embrace of the Serpent: with brimming beauty, the Amazon speaks back: |
25.8 |
2016 |
|
Pride and Prejudice and Zombies: Jane Austen would only think it's kind of funny: |
25.8 |
2016 |
|
Short reviews of Oscar-nominated short films: |
|
2016 |
|
‘Old Fashioned’ doc about Wisconsin supper clubs slices into meaty history: |
|
2016 |
|
JeruZalem and watching flying zombies through Google Glass: |
25.8 |
2016 |
|
Good Morning Karachi: a good step for Pakistani filmmaking, but not big enough: |
25.8 |
2016 |
|
Movie review: ‘Point Break’ hits target on action scenes: |
|
2015 |
|
Son of Saul: a Holocaust film evolved: |
25.8 |
2015 |
|
‘Censored Voices’ raises important questions about evolution of Israel: |
|
2015 |
|
‘Hitchcock/Truffaut’ a revealing glimpse at filmmakers’ summit: |
|
2015 |
|
Cate Blanchett and Rooney Mara show us what love can do in Carol: |
25.8 |
2015 |
|
‘The Night Before’ is an instant Christmas classic: naughty, but nice: |
|
2015 |
|
Trumbo and The Hollywood Ten remind us to fight against the odds: |
25.8 |
2015 |
|
Gaspar Noe's Love ain't for everyone, and that's okay: |
25.8 |
2015 |
|
Iranian filmmaker disguises himself as a cabbie in fascinating ‘Taxi’: |
|
2015 |
|
Sarah Silverman takes on too much tragedy in I Smile Back: |
|
2015 |
|
Truth: a newsroom drama packed with little punch: |
25.8 |
2015 |
|
Steve Jobs is smart, energetic, compelling, just like the man: |
|
2015 |
|
Finders Keepers gives mystery meat a whole new twist: |
|
2015 |
|
Mississippi Grind serves up two of a kind: |
|
2015 |
|
Ridley Scott’s most welcome return to form with The Martian: |
25.8 |
2015 |
|
The Black Panthers: Vanguard of the Revolution reminds us we have a long way to go: |
25.8 |
2015 |
|
Dir. François Ozon faces hard truths of desire in The New Girlfriend: |
25.7 |
2015 |
|
Going back to school with zombies and Cooties: |
25.7 |
2015 |
|
Peace Officer: when police wage war against America: |
|
2015 |
|
Legend becomes villain in Steve Jobs: The Man in the Machine: |
25.7 |
2015 |
|
Steak (R)evolution: an important, yet redundant lesson about our food culture: |
|
2015 |
|
Josh Lucas and The Mend push mumblecore in the right direction: |
25.6 |
2015 |
|
Lily Tomlin's talent on display in Grandma: |
25.6 |
2015 |
|
American Ultra: summer's best stoner surprise: |
25.6 |
2015 |
|
Little spirit to be found in 80s drama Ten Thousand Saints: |
25.6 |
2015 |
|
The Diary of a Teenage Girl is vivid, even shocking, but a rare gem: |
25.6 |
2015 |
|
Latest Mission is an action - and drama - packed joy ride: |
25.6 |
2015 |
|
Vacation -- a funny update of the 1980s series: |
25.6 |
2015 |
|
Stanford Prison Experiment -- disturbing and fascinating: |
25.6 |
2015 |
|
The stars shine in the dull story of Southpaw: |
25.6 |
2015 |
|
A LEGO Brickumentary: the amazing legacy of the world's favorite toy: |
|
2015 |
|
Woody Allen's Irrational Man falls short of his genius but still entertains: |
|
2015 |
|
Escaping life’s harsh realities in Strangerland: |
25.6 |
2015 |
|
You'll want to cover your eyes: The Gallows has lots of scares: |
25.5 |
2015 |
|
The sweet taste of Tangerine: |
|
2015 |
|
Jimmy's Hall an enjoyable lesson in Ireland's social history: |
25.5 |
2015 |
|
Stung: when bugs fight back: |
25.5 |
2015 |
|
Bound to Vengeance is the thriller that never quits thrilling: |
25.5 |
2015 |
|
Dope cleverly blends Revenge of the Nerds, Boyz N The Hood: |
25.5 |
2015 |
|
The Stranger is a valiant effort that doesn't quite live up to its potential: |
25.5 |
2015 |
|
Eden unearths the grim backstory of EDM’s rise to popularity: |
25.4 |
2015 |
|
Aloha squeaks by on charm: |
25.4 |
2015 |
|
Sunshine Superman (Magnolia Pictures): |
25.4 |
2015 |
|
Just hold on and enjoy the crazy ride with Mad Max: |
25.4 |
2015 |
|
Saint Laurent's portraiture of a troubled genius: |
25.3 |
2015 |
|
Finally, an accurate portrait of Kurt Cobain in Montage of Heck: |
25.3 |
2015 |
|
Laughing 'Hard': Ferrell, Hart turn stereotypes into slapstick in buddy flick: |
25.3 |
2015 |
|
The perils of playing god in Ex Machina: |
25.3 |
2015 |
|
Serena aims for Shakespearean tragedy, ends up just tragedy: |
25.3 |
2015 |
|
Sebastião Salgado's photography comes alive in The Salt of the Earth: |
25.2 |
2015 |
|
Exposing sexual assault on campuses in The Hunting Ground: |
25.2 |
2015 |
|
Liam Neeson regains his punch in Run All Night: |
25.2 |
2015 |
|
Passion trumps paper in Seymour: An Introduction: |
25.2 |
2015 |
|
Chappie pits man vs. machine in the slums of Johannesburg: |
|
2015 |
|
'71 drops Jack O'Connell behind enemy lines: |
|
2015 |
|
Crazy Bitches, a bloody good time: |
24.21 |
2015 |
|
Wyrmwood redefines the zombie genre: |
24.21 |
2015 |
|
Maps to the Stars: superficial Hollywood, shallow script: |
24.21 |
2015 |
|
Red Army (Sony Pictures Classics): |
24.21 |
2015 |
|
Alien Outpost (IFC Midnight): |
24.21 |
2015 |
|
Dark Summer (IFC Midnight): |
24.21 |
2015 |
|
Still Alice (Sony Pictures Classics): |
24.21 |
2015 |
|
Dir. Mike Leigh Paints Beautiful Portrait of British Artist, Mr. Turner: |
24.21 |
2014 |
|
All Bets are Off in Mark Wahlberg’s The Gambler: |
24.21 |
2014 |
|
Stereotypes, Forced Humor Assassinate The Interview: |
24.21 |
2014 |
|
The Babadook: 'Simple' Horror Done Right: |
24.20 |
2014 |
|
Jennifer Lawrence Marvelous in Hunger Games: Mockingjay Part 1: |
24.19 |
2014 |
|
Always Woodstock: Allison Miller Shines Bright in Otherwise Dull Rom-Com: |
24.19 |
2014 |
|
Beyond the Lights Spotlights Challenges Women Face in Music Industry: |
24.19 |
2014 |
|
Haley Joel Osment is All Grown Up in Raunchy Comedy, Sex Ed: |
24.19 |
2014 |
|
K-Stew Holds Her Own in a Soldier’s World in Camp X-Ray: |
24.17 |
2014 |
|
1,000 Times Good Night Begs Question: Should Family Always Trump Career?: |
24.17 |
2014 |
|
The Pact 2: 'Judas' Returns to Wreak More Havoc: |
24.17 |
2014 |
|
This War Movie Doesn't Hold Back: Fury Bursts with Grim Grittiness: |
24.17 |
2014 |
|
Extraterrestrial Strives for Out-of-this-World Originality: |
24.17 |
2014 |
|
Botso Documentary Tells Story of Man Behind the Music: |
24.17 |
2014 |
|
From Batman to Birdman: Michael Keaton Makes Strong Comeback: |
24.17 |
2014 |
|
The Two Faces of January Drips Deliciously with Jealousy, Betrayal & Love: |
24.15 |
2014 |
|
Denzel Washington Takes No Prisoners in The Equalizer: |
24.15 |
2014 |
|
John Ridley, Andre 3000 Strike Chord with Jimi: All is By My Side: |
24.15 |
2014 |
|
The Maze Runner Gets Lost in Overfamiliarity: |
24.15 |
2014 |
|
YA Film Innocence Guilty of 'Cheesy' CGI, But Accurately Depicts First Love: |
24.14 |
2014 |
|
Steve Coogan and Rob Brydon Reunite in The Trip to Italy: |
24.13 |
2014 |
|
Zom-Com Life After Beth Alive with Humor, Thanks to Cast's Comedic Chops: |
24.13 |
2014 |
|
Found-Footage Film Into the Storm is Exciting, But it isn't Convincing: |
24.13 |
2014 |
|
Franco’s Child of God Heavy with Realism & Necrophilia, But We're Not Complaining: |
24.13 |
2014 |
|
Groundhog Day Meets The Girl Next Door in Comedy Premature (Coming Soon!): |
24.13 |
2014 |
|
Emma Stone Shines Bright in the Equally Mesmerizing Magic in the Moonlight: |
24.13 |
2014 |
|
This is a Sex Tape You'll Want to Watch Over and Over...and Over Again: |
24.13 |
2014 |
|
Deliver Us from Evil: |
24.13 |
2014 |
|
Snowpiercer: |
24.12 |
2014 |
|
Life Itself: |
24.12 |
2014 |
|
Bound By Flesh: |
24.11 |
2014 |
|
The Rover: |
24.11 |
2014 |
|
The Sacrament: |
24.11 |
2014 |
|
Obvious Child: |
24.10 |
2014 |
|
Gore Vidal: The United States of Amnesia: |
24.10 |
2014 |
|
We Are the Best!: |
24.10 |
2014 |
|
Cold in July Turns Up the Pulp Fiction Heat with Texas Tale: |
24.10 |
2014 |
|
Steve Chong Finds Out That Suicide is a Bad Idea: |
24.9 |
2014 |
|
The Double: |
24.8 |
2014 |
|
Belle: |
24.8 |
2014 |
|
Walk of Shame: |
24.8 |
2014 |
|
Mistaken for Strangers: |
24.6 |
2014 |
|
Cesar Chávez: |
24.6 |
2014 |
|
The Den: |
24.5 |
2014 |
|
Jodorowsky's Dune: |
24.5 |
2014 |
|
Finding Vivian Maier: |
24.5 |
2014 |
|
Enemy: |
24.4 |
2014 |
|
Pompeii: |
24.3 |
2014 |
|
Almost Human: |
24.3 |
2014 |
|
That Awkward Moment: |
24.2 |
2014 |
|
Interior. Leather Bar.: |
23.23 |
2013 |
|
The Past: |
23.23 |
2013 |
|
White Reindeer: |
23.22 |
2013 |
|
Wrong Cops: |
23.22 |
2013 |
|
Fading West: |
23.22 |
2013 |
|
American Bomber: |
23.22 |
2013 |
|
Oldboy: |
23.21 |
2013 |
|
The Punk Singer: |
23.21 |
2013 |
|
The Deflowering of Eva Van End: |
23.21 |
2013 |
|
The Last Days on Mars: |
23.21 |
2013 |
|
12-12-12: |
23.20 |
2013 |
|
Lance Gets Lanced — a Little Late — in The Armstrong Lie: |
23.20 |
2013 |
|
In the Name Of: |
23.20 |
2013 |
|
Haunter: |
23.20 |
2013 |
|
Blue is the Warmest Color: |
23.19 |
2013 |
|
Broadway Idiot: |
23.19 |
2013 |
|
The Summit: |
23.18 |
2013 |
|
Mademoiselle C: |
23.17 |
2013 |
|
Snake & Mongoo$e: |
23.17 |
2013 |
|
Insidious: Chapter 2: |
23.17 |
2013 |
|
Una Noche: |
23.17 |
2013 |
|
Wadjda: |
23.16 |
2013 |
|
Good Ol' Freda: |
23.16 |
2013 |
|
Closed Circuit: |
23.15 |
2013 |
|
Jobs: |
23.15 |
2013 |
|
Austenland: |
23.15 |
2013 |
|
I Give It A Year: |
23.14 |
2013 |
|
Terraferma: |
23.14 |
2013 |
|
The Spectacular Now: |
23.14 |
2013 |
|
Coldwater: |
23.13 |
2013 |
|
The Conjuring Review: Best Horror Film of 2013: |
23.13 |
2013 |
|
Blackfish: |
23.13 |
2013 |
|
Touch: |
23.12 |
2013 |
|
Monsters University: |
23.12 |
2013 |
|
Byzantium: |
23.12 |
2013 |
|
World War Z: Brad Pitt Travels the World to Save the World |
23.12 |
2013 |
|
We Steal Secrets: The Story of WikiLeaks: |
23.10 |
2013 |
|
Fill the Void: |
23.9 |
2013 |
|
Frances Ha: |
23.9 |
2013 |
|
Java Heat: |
23.9 |
2013 |
|
Venus and Serena: |
23.9 |
2013 |
|
Sightseers: |
23.9 |
2013 |
|
Something in the Air: |
23.8 |
2013 |
|
At Any Price: |
23.7 |
2013 |
|
Simon Killer: |
23.7 |
2013 |
|
Disconnect: |
23.6 |
2013 |
|
Hitler's Children: |
23.6 |
2013 |
|
The Host: |
23.6 |
2013 |
|
Blancanieves: |
23.5 |
2013 |
|
The Happy Poet: |
23.5 |
2013 |
|
Upside Down: |
23.4 |
2013 |
|
Gregory Crewdson: Brief Encounters: |
23.4 |
2013 |
|
Room 237: |
23.4 |
2013 |
|
The End of Love: |
23.3 |
2013 |
|
Koch: |
23.3 |
2013 |
|
Like Someone in Love: |
23.3 |
2013 |
|
Shanghai Calling: |
23.3 |
2013 |
|
Safe Haven: |
23.2 |
2013 |
|
Side Effects: |
23.2 |
2013 |
|
Struck By Lightning: |
22.25 |
2013 |
|
Django Unchained: |
22.24 |
2012 |
|
Buffalo Girls: |
22.23 |
2012 |
|
Lost Angels: Skid Row is My Home: |
22.23 |
2012 |
|
Rust and Bone: |
22.23 |
2012 |
|
Killing Them Softly: |
22.23 |
2012 |
|
Hitchcock: |
22.22 |
2012 |
|
Anna Karenina: |
22.22 |
2012 |
|
Silver Linings Playbook: |
22.22 |
2012 |
|
Flight: |
22.20 |
2012 |
|
The Loneliest Planet: |
22.20 |
2012 |
|
The Flat: |
22.19 |
2012 |
|
A Man's Story: |
22.19 |
2012 |
|
Wuthering Heights: |
22.19 |
2012 |
|
Barricade: |
22.17 |
2012 |
|
House at the End of the Street: |
22.17 |
2012 |
|
Resident Evil: Retribution: |
22.17 |
2012 |
|
Little Birds: |
22.17 |
2012 |
|
You May Not Kiss the Bride: |
22.16 |
2012 |
|
The Inbetweeners: |
22.16 |
2012 |
|
The Day: |
22.16 |
2012 |
|
Sleepwalk With Me: |
22.16 |
2012 |
|
Hit & Run: |
22.15 |
2012 |
|
Red Hook Summer: |
22.15 |
2012 |
|
Robot & Frank: |
22.14 |
2012 |
|
2 Days in New York: |
22.14 |
2012 |
|
The Campaign: |
22.14 |
2012 |
|
Ruby Sparks: |
22.13 |
2012 |
|
360: |
22.13 |
2012 |
|
Searching for Sugar Man: See Rodriguez this Sunday, October 7th on |
22.13 |
2012 |
|
Trishna: |
22.13 |
2012 |
|
Farewell, My Queen (Les adieux à la reine): |
22.13 |
2012 |
|
Ballplayer: Pelotero: |
22.13 |
2012 |
|
Take This Waltz: |
22.13 |
2012 |
|
Katy Perry: Part of Me 3D: |
22.12 |
2012 |
|
The Amazing Spider-Man: |
22.12 |
2012 |
|
Brave: |
22.12 |
2012 |
|
Seeking a Friend for the End of the World: |
22.12 |
2012 |
|
Chely Wright: Wish Me Away: |
22.11 |
2012 |
|
Bel Ami: |
22.11 |
2012 |
|
Prometheus: |
22.11 |
2012 |
|
The Color Wheel: |
22.10 |
2012 |
|
Lola Versus: |
22.10 |
2012 |
|
High School: |
22.10 |
2012 |
|
Hide Away: |
22.10 |
2012 |
|
Cellmates: |
22.10 |
2012 |
|
Moonrise Kingdom: |
22.9 |
2012 |
|
The Dictator: |
22.9 |
2012 |
|
Girl in Progress: |
22.9 |
2012 |
|
Tonight You're Mine: |
22.9 |
2012 |
|
Polisse - Opens Friday, May 18 @ The Landmark in West L.A.: |
22.9 |
2012 |
|
Nesting: |
22.8 |
2012 |
|
Sound Of My Voice: |
22.8 |
2012 |
|
Darling Companion: |
22.7 |
2012 |
|
The Raven: |
22.7 |
2012 |
|
Goodbye First Love: |
22.7 |
2012 |
|
The Cabin in the Woods: |
22.7 |
2012 |
|
Hit So Hard: Opening weekend includes Q&As, live music performances and super secret special guests. |
22.7 |
2012 |
|
Lockout: |
22.6 |
2012 |
|
Comic-Con Episode IV: A Fan's Hope: |
22.6 |
2012 |
|
Mirror Mirror: |
22.6 |
2012 |
|
Damsels in Distress: |
22.5 |
2012 |
|
Titanic 3D: |
22.6 |
2012 |
|
The Deep Blue Sea: |
22.5 |
2012 |
|
Intruders: |
22.5 |
2012 |
|
The Trouble with Bliss: |
22.5 |
2012 |
|
Brake: Cast & Crew Q&A on March 23rd @ Laemmle's Noho 7 |
22.5 |
2012 |
|
Detachment: |
22.5 |
2012 |
|
Silent House: |
22.4 |
2012 |
|
Sound of Noise: |
22.4 |
2012 |
|
Good for Nothing: |
22.4 |
2012 |
|
Shakespeare High: |
22.4 |
2012 |
|
Friends With Kids: |
22.4 |
2012 |
|
Chico & Rita: |
22.4 |
2012 |
|
The Kid with a Bike: |
22.4 |
2012 |
|
Act of Valor: |
22.3 |
2012 |
|
Being Flynn: |
22.3 |
2012 |
|
Lula, Son of Brazil: |
22.2 |
2012 |
|
Return: |
22.3 |
2012 |
|
Undefeated: |
22.2 |
2012 |
|
Kill List: |
22.2 |
2012 |
|
The Theatre Bizarre: |
22.1 |
2012 |
|
Haywire: |
22.1 |
2012 |
|
Miss Bala: |
22.1 |
2012 |
|
Declaration of War: |
22.1 |
2012 |
|
The Devil Inside: |
21.49 |
2011 |
|
The Iron Lady: |
21.49 |
2011 |
|
War Horse: |
21.49 |
2011 |
|
The Girl With the Dragon Tattoo: |
21.49 |
2011 |
|
The Adventures of Tintin: |
21.49 |
2011 |
|
Carnage: |
21.48 |
2011 |
|
London River: |
21.48 |
2011 |
|
Corman’s World: Exploits of a Hollywood Rebel: |
21.48 |
2011 |
|
Tinker, Tailor, Soldier, Spy: |
21.47 |
2011 |
|
I Melt With You: |
21.47 |
2011 |
|
Young Adult: |
21.48 |
2011 |
|
Knuckle: |
21.47 |
2011 |
|
Tomboy: |
21.45 |
2011 |
|
My Week With Marilyn: |
21.45 |
2011 |
|
Garbo: The Spy: |
21.45 |
2011 |
|
The Artist: |
21.45 |
2011 |
|
Incendiary: The Willingham Case: |
21.44 |
2011 |
|
Eames: The Architect and the Painter: |
21.44 |
2011 |
|
The Descendants: |
21.44 |
2011 |
|
Melancholia: |
21.43 |
2011 |
|
London Boulevard: |
21.43 |
2011 |
|
Pianomania: |
21.42 |
2011 |
|
The Other F Word: |
21.42 |
2011 |
|
Janie Jones: |
21.42 |
2011 |
|
Elevate: |
21.42 |
2011 |
|
The Catechism Cataclysm: |
21.42 |
2011 |
|
Man on the Train: |
21.41 |
2011 |
|
Like Crazy: |
21.41 |
2011 |
|
Anonymous: |
21.41 |
2011 |
|
Revenge of the Electric Car: |
21.40 |
2011 |
|
Hell and Back Again: |
21.39 |
2011 |
|
The Man Nobody Knew: |
21.39 |
2011 |
|
Where Soldiers Come From: |
21.38 |
2011 |
|
The Whale: |
21.37 |
2011 |
|
Tucker & Dale vs. Evil: |
21.37 |
2011 |
|
Take Shelter: |
21.37 |
2011 |
|
Granito: How to Nail a Dictator: |
21.37 |
2011 |
|
Finding Joe: |
21.37 |
2011 |
|
American Teacher: |
21.37 |
2011 |
|
Moneyball: |
21.36 |
2011 |
|
Programming the Nation: |
21.36 |
2011 |
|
Berlin ’36: |
21.36 |
2011 |
|
Straw Dogs: |
21.35 |
2011 |
|
Happy, Happy: |
21.35 |
2011 |
|
Shaolin: |
21.34 |
2011 |
|
Love Crime: |
21.33 |
2011 |
|
The Debt: |
21.33 |
2011 |
|
Circumstance: |
21.32 |
2011 |
|
Chasing Madoff: |
21.32 |
2011 |
|
Mozart’s Sister: |
21.31 |
2011 |
|
The Hedgehog: |
21.31 |
2011 |
|
Griff the Invisible: |
21.31 |
2011 |
|
One Day: |
21.31 |
2011 |
|
Magic Trip: |
21.30 |
2011 |
|
Autoerotic: |
21.30 |
2011 |
|
30 Minutes or Less: |
21.30 |
2011 |
|
The Whistleblower: |
21.29 |
2011 |
|
The Future: |
21.29 |
2011 |
|
The Sleeping Beauty: |
21.28 |
2011 |
|
Point Blank: |
21.28 |
2011 |
|
The Myth of the American Sleepover: |
21.28 |
2011 |
|
The Guard: |
21.28 |
2011 |
|
Good Neighbors: |
21.28 |
2011 |
|
The Devil’s Double: |
21.28 |
2011 |
|
Attack the Block: |
21.28 |
2011 |
|
Passione: |
21.27 |
2011 |
|
Tabloid: |
21.27 |
2011 |
|
Salvation Boulevard: |
21.27 |
2011 |
|
A Little Help: |
21.27 |
2011 |
|
Project Nim: |
21.26 |
2011 |
|
The Perfect Host: |
21.26 |
2011 |
|
Transformers: Dark of the Moon: |
21.26 |
2011 |
|
Vincent Wants to Sea: |
21.26 |
2011 |
|
Beats, Rhymes & Life: The Travels of A Tribe Called Quest: |
21.26 |
2011 |
|
TrollHunter: |
21.25 |
2011 |
|
One Lucky Elephant: |
21.25 |
2011 |
|
Farmageddon: |
21.25 |
2011 |
|
Conan O’Brien Can’t Stop: |
21.25 |
2011 |
|
Queen of the Sun: What Are the Bees Telling Us?: |
21.24 |
2011 |
|
City of Life and Death: |
21.24 |
2011 |
|
Buck: |
21.24 |
2011 |
|
The Art of Getting By : |
21.24 |
2011 |
|
The Trip: |
21.23 |
2011 |
|
Days Together: |
21.22 |
2011 |
|
Nuremberg: Its Lesson For Today: |
21.22 |
2011 |
|
Love Wedding Marriage: |
21.22 |
2011 |
|
The Tree of Life: |
21.21 |
2011 |
|
Make Believe: |
21.21 |
2011 |
|
Dumbstruck: |
21.21 |
2011 |
|
Blank City: |
21.21 |
2011 |
|
Earthwork: |
21.20 |
2011 |
|
L’Amour Fou: |
21.20 |
2011 |
|
Skateland: |
21.19 |
2011 |
|
An Invisible Sign: |
21.19 |
2011 |
|
The First Grader: |
21.19 |
2011 |
|
Poetry: |
21.18 |
2011 |
|
Hobo with a Shotgun: |
21.18 |
2011 |
|
Forks Over Knives: |
21.18 |
2011 |
|
Sympathy for Delicious: |
21.17 |
2011 |
|
Cave of Forgotten Dreams: |
21.17 |
2011 |
|
Meek’s Cutoff: |
21.16 |
2011 |
|
Legend of the Fist: The Return of Chen Zhen: |
21.16 |
2011 |
|
The Princess of Montpensier: |
21.15 |
2011 |
|
My Perestroika: |
21.15 |
2011 |
|
Henry’s Crime: |
21.15 |
2011 |
|
Footprints: |
21.15 |
2011 |
|
The Conspirator: |
21.15 |
2011 |
|
American: The Bill Hicks Story: |
21.15 |
2011 |
|
Wrecked: |
21.14 |
2011 |
|
Putty Hill: |
21.14 |
2011 |
|
Meet Monica Velour: |
21.14 |
2011 |
|
Exodus Fall: |
21.14 |
2011 |
|
Circo: |
21.14 |
2011 |
|
Born to Be Wild 3D: |
21.14 |
2011 |
|
Source Code: |
|
2011 |
|
In A Better World: |
|
2011 |
|
Queen to Play: |
21.13 |
2011 |
|
Orgasm Inc.: |
21.13 |
2011 |
|
Jackass 3.5: |
21.13 |
2011 |
|
Con Artist: |
21.13 |
2011 |
|
Cat Run: |
21.13 |
2011 |
|
Insidious: |
21.13 |
2011 |
|
Bill Cunningham New York: |
|
2011 |
|
White Irish Drinkers: |
21.12 |
2011 |
|
Peep World: |
21.12 |
2011 |
|
Miral: |
21.12 |
2011 |
|
Winter in Wartime: |
|
2011 |
|
We Are What We Are: |
|
2011 |
|
Win Win: |
21.11 |
2011 |
|
The Music Never Stopped: |
21.11 |
2011 |
|
The Desert of Forbidden Art: |
21.11 |
2011 |
|
Desert Flower: |
21.11 |
2011 |
|
Cracks: |
21.11 |
2011 |
|
The Human Resources Manager: |
|
2011 |
|
Making the Boys: |
21.10 |
2011 |
|
I Am: |
21.10 |
2011 |
|
Spooner: |
|
2011 |
|
Dear Lemon Lima: |
|
2011 |
|
Uncle Boonmee Who Can Recall His Past Lives: |
21.9 |
2011 |
|
I Saw the Devil: |
21.9 |
2011 |
|
Heartbeats: |
21.9 |
2011 |
|
The Adjustment Bureau: |
21.9 |
2011 |
|
Phil Ochs: There But For Fortune: |
21.9 |
2011 |
|
Rubber: |
|
2011 |
|
Vanishing on 7th Street: |
21.8 |
2011 |
|
Of Gods And Men: |
21.8 |
2011 |
|
Now & Later: |
21.8 |
2011 |
|
Carbon Nation: |
|
2011 |
|
Vidal Sassoon The Movie: |
21.6 |
2011 |
|
The Oscar Nominated Short Films 2011: |
21.6 |
2011 |
|
Cedar Rapids: |
21.6 |
2011 |
|
The Other Woman: |
21.5 |
2011 |
|
Sanctum: |
21.5 |
2011 |
|
Waiting For Forever: |
21.5 |
2011 |
|
When We Leave: |
21.4 |
2011 |
|
A Somewhat Gentle Man: |
21.4 |
2011 |
|
Ip Man 2: Legend of the Grandmaster: |
21.4 |
2011 |
|
Dhobi Ghat: |
21.3 |
2011 |
|
Every Day: |
21.2 |
2011 |
|
Burning Palms: |
21.2 |
2011 |
|
Little Fockers: |
20.49 |
2010 |
|
Blue Valentine: |
20.49 |
2010 |
|
The Illusionist: |
20.49 |
2010 |
|
Rabbit Hole: |
|
2010 |
|
Guy and Madeline on a Park Bench: |
|
2010 |
|
Rare Exports: A Christmas Tale : |
20.47 |
2010 |
|
The Company Men: |
20.47 |
2010 |
|
Night Catches Us: |
|
2010 |
|
Barney’s Version: |
20.46 |
2010 |
|
The King’s Speech: |
|
2010 |
|
The Nutcracker in 3D: |
20.45 |
2010 |
|
Disco and Atomic War: |
20.45 |
2010 |
|
Harry Potter and the Deathly Hallows: Part 1: |
|
2010 |
|
Today’s Special: |
20.44 |
2010 |
|
Made in Dagenham: |
20.44 |
2010 |
|
Love and Other Drugs: |
20.44 |
2010 |
|
Jews and Baseball: An American Love Story: |
20.44 |
2010 |
|
Tiny Furniture: |
20.45 |
2010 |
|
Vision: |
20.43 |
2010 |
|
The Taqwacores: |
20.43 |
2010 |
|
Outside the Law: |
20.43 |
2010 |
|
Jolene: |
20.42 |
2010 |
|
Wild Target: |
20.41 |
2010 |
|
Welcome to the Rileys: |
20.41 |
2010 |
|
Change of Plans: |
20.41 |
2010 |
|
Amer: |
20.41 |
2010 |
|
Hereafter: |
|
2010 |
|
Ticked-Off Trannies With Knives: |
20.40 |
2010 |
|
My Dog Tulip: |
20.40 |
2010 |
|
Carlos: |
20.40 |
2010 |
|
Letters to Father Jacob: |
20.39 |
2010 |
|
Gerrymandering: |
20.39 |
2010 |
|
Down Terrace: |
20.39 |
2010 |
|
Stone: |
20.38 |
2010 |
|
Kings of Pastry: |
20.38 |
2010 |
|
Inside Job: |
20.38 |
2010 |
|
Douchebag: |
20.38 |
2010 |
|
Barry Munday: |
|
2010 |
|
Hatchet II: |
|
2010 |
|
The Temptation of St. Tony: |
20.37 |
2010 |
|
Howl: |
20.37 |
2010 |
|
The Girl: |
20.37 |
2010 |
|
The Freebie: |
20.37 |
2010 |
|
Brutal Beauty: Tales of the Rose City Rollers: |
20.37 |
2010 |
|
The Other City: |
|
2010 |
|
Amexica: |
|
2010 |
|
Legend of the Guardians: The Owls of Ga’Hoole: |
|
2010 |
|
Last Train Home: |
20.35 |
2010 |
|
Jack Goes Boating: |
20.35 |
2010 |
|
El Súperstar: |
20.35 |
2010 |
|
Bran Nue Dae: |
|
2010 |
|
Something's Gonna Live: |
20.34 |
2010 |
|
Sequestro: |
20.34 |
2010 |
|
Race to Nowhere: |
20.34 |
2010 |
|
Neshoba: The Price of Freedom: |
20.34 |
2010 |
|
A Woman, A Gun and a Noodle Shop: |
20.33 |
2010 |
|
White Wedding: |
20.33 |
2010 |
|
Soul Kitchen: |
20.33 |
2010 |
|
The Milk of Sorrow: |
20.33 |
2010 |
|
Mesrine: Public Enemy No. 1: |
20.33 |
2010 |
|
The People I’ve Slept With: |
20.32 |
2010 |
|
Piranha 3D: |
|
2010 |
|
The Tillman Story : |
20.31 |
2010 |
|
Nanny McPhee Returns: |
20.31 |
2010 |
|
Mao’s Last Dancer: |
20.31 |
2010 |
|
Brotherhood: |
20.31 |
2010 |
|
Scott Pilgrim vs. the World: |
20.30 |
2010 |
|
Peepli Live: |
20.30 |
2010 |
|
Mugabe and the White African : |
20.30 |
2010 |
|
Lebanon: |
20.30 |
2010 |
|
Enemies of the People: |
20.29 |
2010 |
|
The Wildest Dream: Conquest of Everest: |
20.29 |
2010 |
|
Patrik Age 1.5: |
20.29 |
2010 |
|
The Disappearance of Alice Creed: |
20.29 |
2010 |
|
Life During Wartime: |
20.28 |
2010 |
|
Hugh Hefner: Playboy, Activist and Rebel: |
20.28 |
2010 |
|
Get Low: |
20.28 |
2010 |
|
The Dry Land: |
20.28 |
2010 |
|
Countdown to Zero: |
20.28 |
2010 |
|
Valhalla Rising: |
|
2010 |
|
Operation: Endgame: |
20.27 |
2010 |
|
Winnebago Man: |
20.27 |
2010 |
|
To Age or Not to Age: |
20.27 |
2010 |
|
Kisses: |
20.27 |
2010 |
|
Kings of the Evening: |
20.27 |
2010 |
|
Farewell: |
20.27 |
2010 |
|
The Concert: |
20.27 |
2010 |
|
The Girl Who Played With Fire: |
|
2010 |
|
South of the Border: |
20.26 |
2010 |
|
[REC] 2: |
20.26 |
2010 |
|
The Nature of Existence: |
20.26 |
2010 |
|
Great Directors: |
20.26 |
2010 |
|
Restrepo: |
20.25 |
2010 |
|
Let It Rain: |
20.25 |
2010 |
|
The Killer Inside Me: |
20.25 |
2010 |
|
Eyes Wide Open: |
20.25 |
2010 |
|
Knight and Day: |
|
2010 |
|
I Am Love: |
20.24 |
2010 |
|
Cyrus: |
20.24 |
2010 |
|
8: The Mormon Proposition: |
20.24 |
2010 |
|
Joan Rivers: A Piece of Work: |
20.23 |
2010 |
|
Harlan: In the Shadow of Jew Süss: |
20.23 |
2010 |
|
Gangster’s Paradise: Jerusalema: |
20.23 |
2010 |
|
Micmacs: |
20.22 |
2010 |
|
Living in Emergency: Stories of Doctors Without Borders: |
20.22 |
2010 |
|
Get Him to the Greek: |
20.22 |
2010 |
|
Prince of Swine: |
20.21 |
2010 |
|
Best Worst Movie: |
|
2010 |
|
The Father of My Children: |
|
2010 |
|
Here and There: |
|
2010 |
|
The Philosopher Kings: |
20.20 |
2010 |
|
The Oath: |
20.20 |
2010 |
|
Looking for Eric: |
20.20 |
2010 |
|
The Living Wake: |
20.20 |
2010 |
|
Trash Humpers: |
20.19 |
2010 |
|
Happiness Runs: |
20.19 |
2010 |
|
Casino Jack and the United States of Money: |
20.18 |
2010 |
|
The Human Centipede: |
20.18 |
2010 |
|
Breath Made Visible: |
20.18 |
2010 |
|
Behind the Burly Q: |
20.18 |
2010 |
|
Babies: |
20.18 |
2010 |
|
The Good, The Bad, The Weird: |
20.17 |
2010 |
|
Please Give: |
20.17 |
2010 |
|
Sita Sings the Blues: |
20.16 |
2010 |
|
No One Knows About Persian Cats: |
20.16 |
2010 |
|
In My Sleep: |
20.16 |
2010 |
|
Who Do You Love: |
20.15 |
2010 |
|
Handsome Harry: |
20.15 |
2010 |
|
The Cartel: |
20.15 |
2010 |
|
Exit Through the Gift Shop: |
20.15 |
2010 |
|
Phyllis and Harold: |
20.14 |
2010 |
|
Mid-August Lunch: |
20.14 |
2010 |
|
Godspeed: |
20.14 |
2010 |
|
Breaking Upwards: |
20.14 |
2010 |
|
After.Life: |
20.14 |
2010 |
|
Dream Boy/Just Say Love/Manuela and Manuel: |
20.13 |
2010 |
|
Vincere: |
20.12 |
2010 |
|
How to Train Your Dragon: |
20.12 |
2010 |
|
Harmony and Me: |
20.12 |
2010 |
|
Repo Men: |
|
2010 |
|
See What I’m Saying: |
20.11 |
2010 |
|
Prodigal Sons: |
20.11 |
2010 |
|
Neil Young Trunk Show: |
20.11 |
2010 |
|
The Killing Jar: |
20.11 |
2010 |
|
The Girl with the Dragon Tattoo: |
20.11 |
2010 |
|
City Island: |
20.11 |
2010 |
|
She’s Out of My League: |
|
2010 |
|
Green Zone: |
|
2010 |
|
Toe to Toe: |
20.10 |
2010 |
|
Our Family Wedding: |
20.10 |
2010 |
|
Mystery Team: |
20.10 |
2010 |
|
Ran: |
19.9 |
2010 |
|
Brooklyn’s Finest: |
19.9 |
2010 |
|
Cop Out: |
|
2010 |
|
Defendor: |
19.8 |
2010 |
|
Easier With Practice: |
19.8 |
2010 |
|
The Yellow Handkerchief: |
19.8 |
2010 |
|
Shutter Island: |
20.7 |
2010 |
|
Happy Tears: |
20.7 |
2010 |
|
Red Riding Trilogy: |
20.6 |
2010 |
|
Terribly Happy: |
20.6 |
2010 |
|
Frozen: |
|
2010 |
|
A Town Called Panic: |
20.4 |
2010 |
|
3 Idiots: |
20.4 |
2010 |
|
Creation: |
20.3 |
2010 |
|
44 Inch Chest: |
20.2 |
2010 |
|
Daybreakers: |
20.1 |
2010 |
|
Uncertainty: |
19.48 |
2009 |
|
Police, Adjective: |
19.48 |
2009 |
|
Ocean of Pearls: |
19.48 |
2009 |
|
My Son, My Son, What Have Ye Done: |
19.48 |
2009 |
|
Nine: |
19.48 |
2009 |
|
The Vicious Kind: |
19.47 |
2009 |
|
According to Greta: |
19.47 |
2009 |
|
Until The Light Takes Us: |
19.47 |
2009 |
|
The Last Station: |
19.46 |
2009 |
|
Everybody’s Fine: |
19.46 |
2009 |
|
Brothers: |
19.46 |
2009 |
|
The Missing Person: |
19.45 |
2009 |
|
That Evening Sun: |
19.44 |
2009 |
|
Women in Trouble: |
19.43 |
2009 |
|
Oh My God: |
19.43 |
2009 |
|
Love Hurts: |
19.43 |
2009 |
|
Dare: |
19.43 |
2009 |
|
The Yes Men Fix the World: |
19.42 |
2009 |
|
Looking for Palladin: |
19.42 |
2009 |
|
The Men Who Stare at Goats: |
19.42 |
2009 |
|
Michael Jackson’s This Is It: |
|
2009 |
|
Skin: |
19.41 |
2009 |
|
(Untitled): |
19.40 |
2009 |
|
Motherhood: |
19.40 |
2009 |
|
The Maid: |
19.40 |
2009 |
|
Last Cup: Road to the World Series of Beer Pong: |
19.40 |
2009 |
|
Antichrist: |
19.40 |
2009 |
|
New York, I Love You: |
19.39 |
2009 |
|
Adventures of Power: |
19.39 |
2009 |
|
Peter and Vandy: |
19.38 |
2009 |
|
Karate Film Café: |
19.38 |
2009 |
|
Free Style: |
19.38 |
2009 |
|
An Education: |
19.38 |
2009 |
|
Paranormal Activity: |
19.37 |
2009 |
|
The Providence Effect: |
19.37 |
2009 |
|
More Than a Game: |
19.37 |
2009 |
|
Whip It: |
19.37 |
2009 |
|
The Most Dangerous Man in America: |
|
2009 |
|
We Live in Public: |
|
2009 |
|
Streetballers: |
19.36 |
2009 |
|
Disgrace: |
19.36 |
2009 |
|
Coco Before Chanel: |
19.36 |
2009 |
|
The Blue Tooth Virgin: |
19.36 |
2009 |
|
Love Happens: |
|
2009 |
|
Paris: |
19.35 |
2009 |
|
Crude: |
19.35 |
2009 |
|
Bright Star: |
19.35 |
2009 |
|
American Casino: |
19.35 |
2009 |
|
The September Issue: |
19.34 |
2009 |
|
Sandstorm: |
19.34 |
2009 |
|
No Impact Man: |
19.34 |
2009 |
|
Art & Copy: |
19.34 |
2009 |
|
Big Fan: |
19.34 |
2009 |
|
Amreeka: |
19.33 |
2009 |
|
Motherland: |
19.32 |
2009 |
|
Five Minutes of Heaven: |
19.32 |
2009 |
|
Cloud 9: |
19.32 |
2009 |
|
The Baader Meinhof Complex: |
19.32 |
2009 |
|
Beeswax: |
19.31 |
2009 |
|
The Way We Get By: |
19.30 |
2009 |
|
Heart of Stone: |
19.30 |
2009 |
|
Grace: |
19.30 |
2009 |
|
Flame & Citron: |
19.30 |
2009 |
|
Julie & Julia: |
19.29 |
2009 |
|
12 in a Box: |
19.29 |
2009 |
|
Funny People: |
19.29 |
2009 |
|
Cold Souls: |
19.29 |
2009 |
|
Fragments: |
19.29 |
2009 |
|
Paper Heart: |
19.29 |
2009 |
|
Thirst: |
19.28 |
2009 |
|
Not Quite Hollywood: |
19.28 |
2009 |
|
Lorna’s Silence: |
19.28 |
2009 |
|
Local Color: |
19.28 |
2009 |
|
The Cove: |
19.28 |
2009 |
|
American Cowslip: |
19.27 |
2009 |
|
Shrink: |
19.27 |
2009 |
|
In the Loop: |
19.27 |
2009 |
|
Harry Potter and the Half-Blood Prince: |
19.27 |
2009 |
|
Severed Ways: The Norse Discovery of America: |
19.27 |
2009 |
|
Homecoming: |
19.27 |
2009 |
|
Death in Love: |
19.27 |
2009 |
|
The Answer Man: |
19.27 |
2009 |
|
Afghan Star: |
19.27 |
2009 |
|
Weather Girl: |
19.26 |
2009 |
|
I Hate Valentine’s Day: |
19.26 |
2009 |
|
An Unlikely Weapon: |
19.26 |
2009 |
|
Youssou N’Dour: I Bring What I Love: |
19.26 |
2009 |
|
Betty Blue: The Director’s Cut: |
19.26 |
2009 |
|
Blood: The Last Vampire: |
19.26 |
2009 |
|
Soul Power: |
19.26 |
2009 |
|
The Girl From Monaco: |
19.26 |
2009 |
|
The Beaches of Agnès: |
19.26 |
2009 |
|
Sex Positive: |
19.24 |
2009 |
|
The End of the Line: |
19.24 |
2009 |
|
A Wink and a Smile: |
19.23 |
2009 |
|
Unmistaken Child: |
19.23 |
2009 |
|
Food, Inc.: |
19.23 |
2009 |
|
The Art of Being Straight: |
19.23 |
2009 |
|
Land of the Lost: |
19.23 |
2009 |
|
Séraphine: |
19.22 |
2009 |
|
Summer Hours: |
19.21 |
2009 |
|
Pontypool: |
19.21 |
2009 |
|
Night at the Museum: Battle of the Smithsonian: |
19.21 |
2009 |
|
Departures: |
19.21 |
2009 |
|
Easy Virtue: |
19.21 |
2009 |
|
What Goes Up: |
19.21 |
2009 |
|
O’ Horten: |
19.20 |
2009 |
|
Not Forgotten: |
19.19 |
2009 |
|
Management: |
19.19 |
2009 |
|
Jerichow: |
19.19 |
2009 |
|
Big Man Japan: |
19.19 |
2009 |
|
Angels & Demons: |
19.19 |
2009 |
|
Revanche: |
19.18 |
2009 |
|
Love N’ Dancing: |
19.18 |
2009 |
|
Julia: |
19.18 |
2009 |
|
Naked Ambition: |
19.17 |
2009 |
|
The Limits of Control: |
19.17 |
2009 |
|
Lemon Tree: |
19.17 |
2009 |
|
Fighting: |
19.17 |
2009 |
|
State of Play: |
19.16 |
2009 |
|
The Garden: |
19.16 |
2009 |
|
Is Anybody There?: |
19.15 |
2009 |
|
Ballerina: |
19.15 |
2009 |
|
Lymelife: |
19.15 |
2009 |
|
Gigantic: |
19.15 |
2009 |
|
American Violet : |
19.15 |
2009 |
|
The Song of Sparrows: |
19.14 |
2009 |
|
Forbidden Lie$: |
19.14 |
2009 |
|
Anvil! The Story of Anvil: |
19.14 |
2009 |
|
Bart Got a Room: |
19.13 |
2009 |
|
American Swing: |
19.13 |
2009 |
|
Alien Trespass: |
19.13 |
2009 |
|
Tokyo Sonata: |
19.12 |
2009 |
|
Hunger: |
19.12 |
2009 |
|
Spinning into Butter: |
19.12 |
2009 |
|
Duplicity: |
19.12 |
2009 |
|
Tokyo!: |
19.11 |
2009 |
|
SXSW Film Festival: |
19.11 |
2009 |
|
The Great Buck Howard: |
19.11 |
2009 |
|
I Love You, Man: |
19.11 |
2009 |
|
This Is The Life: |
19.10 |
2009 |
|
Sunshine Cleaning: |
19.10 |
2009 |
|
The Objective: |
19.10 |
2009 |
|
The Last House on the Left: |
19.10 |
2009 |
|
An American Affair: |
19.9 |
2009 |
|
Harvard Beats Yale 29-29: |
19.9 |
2009 |
|
Shuttle: |
19.9 |
2009 |
|
Everlasting MomentS: |
19.9 |
2009 |
|
12: |
19.9 |
2009 |
|
Must Read After My Death: |
19.8 |
2009 |
|
Crossing Over: |
19.8 |
2009 |
|
MOSCOW, BELGIUM: |
19.7 |
2009 |
|
UNDER THE SEA 3D: |
19.6 |
2009 |
|
TWO LOVERS: |
19.6 |
2009 |
|
THE PINK PANTHER 2: |
19.6 |
2009 |
|
Coraline: |
19.6 |
2009 |
|
Chocolate: |
|
2009 |
|
Blessed is the Match: |
|
2009 |
|
Underworld: Rise of the Lycans: (Screen Gems) |
|
2009 |
|
Serbis: (Regent Releasing) |
|
2009 |
|
The Lodger: (Stage 6) |
|
2009 |
|
Donkey Punch: (Magnet Releasing) |
|
2009 |
|
The Unborn: (Rogue) |
|
2009 |
|
Notorious: (Fox Searchlight) |
|
2009 |
|
Yonkers Joe: (Magnolia) |
|
2009 |
|
The Yellow Handkerchief: (Arthur Cohn Production) |
|
2008 |
|
Waltz With Bashir: (Sony Pictures Classics) |
|
2008 |
|
Where God Left His Shoes: (IFC) |
|
2008 |
|
The Tale of Despereaux: (Universal) |
|
2008 |
|
Revolutionary Road: (Paramount Vantage) |
|
2008 |
|
Nothing But the Truth: (Yari Film Group) |
|
2008 |
|
My Name Is Bruce: (Image Entertainment) |
|
2008 |
|
Gomorrah: (IFC) |
|
2008 |
|
Defiance: (Paramount Vantage) |
|
2008 |
|
Ciao: (Regent Releasing) |
|
2008 |
|
Dragon Hunters: (Futurikon Films) |
|
2008 |
| Were the World Mine |
Were the World Mine: (Speak Productions) |
|
2008 |
| Gardens of the Night |
Gardens of the Night: (City Lights Pictures) |
|
2008 |
| Frost/Nixon |
Frost/Nixon: (Universal) |
|
2008 |
| Delgo |
Delgo: (Fathom) |
|
2008 |
| Dark Streets |
Dark Streets: (Samuel Goldwyn) |
|
2008 |
| Che |
Che: (IFC) |
|
2008 |
| Nobel Son |
Nobel Son: (Freestyle Releasing) |
|
2008 |
| Hunger |
Hunger: (IFC) |
|
2008 |
| Children of Winter: Never Grow Old |
Children of Winter: Never Grow Old: (Warren Miller Ent.) |
|
2008 |
| The Black Balloon |
The Black Balloon: (NeoClassics) |
|
2008 |
| A Good Day To Be Black and Sexy |
A Good Day To Be Black and Sexy: (Magnolia) |
|
2008 |
| Holiday Flicks |
This Christmas: (Sony) |
|
2008 |
| Holiday Flicks |
The Perfect Holiday: (Sony) |
|
2008 |
| Holiday Flicks |
Holiday Inn: (Universal) |
|
2008 |
| Lake City |
Lake City: (Screen Media) |
|
2008 |
| The Beautiful Truth |
The Beautiful Truth: (Cinema Libre) |
|
2008 |
| T.V. Time |
24: Redemption: |
|
2008 |
| Toots |
Toots: (IndiePix) |
|
2008 |
| Eden |
Eden: (Liberation Entertainment) |
|
2008 |
| The Dukes |
The Dukes: (CAVU) |
|
2008 |
| I Can't Think Straight |
I Can't Think Straight: (Regent Releasing) |
|
2008 |
| Pray the Devil Back to Hell |
Pray the Devil Back to Hell: (Balcony Releasing) |
|
2008 |
| The First Basket |
The First Basket: (Laemmle/Zeller Films) |
|
2008 |
| The World Unseen |
The world Unseen: (Regent Releasing) |
|
2008 |
| Stranded |
Stranded: (Zeitgeist) |
|
2008 |
| Role Models |
Role Models: (Universal) |
|
2008 |
| Madagascar 2 |
Madagascar: Escape 2 Africa: (DreamWorks) |
|
2008 |
| Loins of Punjab Presents |
Loins of Punjab Presents: (Emerging Pictures) |
|
2008 |
| Dear Zachary |
Dear Zachary: (Oscilloscope Laboratories) |
|
2008 |
| The Boy In Striped Pajamas |
The Boy In Striped Pajamas: Lines May Divide, But Hope Unites |
|
2008 |
| Filth and Wisdom |
Flith and Wisdom: (IFC) |
|
2008 |
| Fear(s) of the Dark |
Fear(s) of the Dark: (IFC) |
|
2008 |
| Changeling |
Changeling: (Universal) |
|
2008 |
| Able Danger |
Able Danger: (Oracle Film Group) |
|
2008 |
| Wild Ocean 3D (IMAX) |
Wild Ocean 3D (IMAX): (Giant Screen) |
|
2008 |
| Noah’s Arc |
Noah’s Arc: Jumping the Broom: (Logo Features) |
|
2008 |
| God & Gays: Bridging Gap |
God & Gays: Bridging the Gap: (Indican Pictures) |
|
2008 |
| The Elephant King |
The Elephant King: (Unison) |
|
2008 |
| What Just Happened |
What Just Happened: (Magnolia) |
|
2008 |
| Mark Wahlberg |
Mark Wahlberg: It’s not minimum or medium pain … it’s Max Payne. |
|
2008 |
| Patti Smith: Dream of Life |
Patti Smith: Dream of Life: (Palm Pictures) |
|
2008 |
| The Express |
The Express: (Universal) |
|
2008 |
| House of Adam |
House of Adam: (Hollywood Independents) |
|
2008 |
| Talento de Barrio |
Talento de Barrio : (Maya Releasing) |
|
2008 |
| RocknRolla |
Humboldt County: (Warner Bros.) |
|
2008 |
| Humboldt County |
Humboldt County : (Magnolia) |
|
2008 |
| Happy-Go-Lucky |
Happy-Go-Lucky: (Miramax) |
|
2008 |
| Breakfast With Scott |
Breakfast With Scott : (Regent Releasing) |
|
2008 |
| Ashes of Time Redux |
Ashes of Time Redux: (Sony Picture Classics) |
|
2008 |
| Poor Paul |
Poor Paul: (Eye Scream) |
|
2008 |
| A Thousand Years of Good Prayers |
A Thousand Years of Good Prayers: (Magnolia Pictures) |
|
2008 |
| Ghost Town |
Ghost Town: (Paramount) |
|
2008 |
| Forever Strong |
Forever Strong: (Crane Movie Co.) |
|
2008 |
| Eagle Eye |
Eagle Eye: (Paramount) |
|
2008 |
| August Evening |
August Evening: (Maya Entertainment Group) |
|
2008 |
| The Amazing Truth About Queen Raquela |
The Amazing Truth About Queen Raquela: (Regent Releasing/here!) |
|
2008 |
| The Lucky Ones |
The Lucky Ones : (Lionsgate/Roadside Attractions) |
|
2008 |
| Choke |
Choke: Chuck Palahniuk and company touch on taboos |
|
2008 |
| Surfer, Dude |
Surfer, Dude: (Anchor Bay) |
|
2008 |
| Save Me |
Save Me: (First Run Features) |
|
2008 |
| Igor |
Igor: (MGM) |
|
2008 |
| Hounddog |
Hounddog: (Empire Film Group) |
|
2008 |
| Take Out |
Take Out: (CAVU Pictures) |
|
2008 |
| Yella |
Yella: (Cinema Guild) |
|
2008 |
| Righteous Kill |
Righteous Kill: (Overture) |
|
2008 |
| The Pool |
The Pool: (Vitagraph) |
|
2008 |
| Appaloosa |
Appaloosa: (Warner Bros.) |
|
2008 |
| Lakeview Terrace |
Lakeview Terrace: Neil LaBute's Latest Swirls with Questions of Race |
|
2008 |
| Sukiyaki Western Django |
Sukiyaki Western Django: (First Look) |
|
2008 |
| Flow |
Flow: (Oscilloscope Pictures) |
|
2008 |
| The Doorman |
The Doorman: (Gigantic Pictures) |
|
2008 |
| Burn After Reading |
Burn After Reading: (Focus Features) |
|
2008 |
| Mamma's Man |
Mamma's Man: (Kino International) |
|
2008 |
| Traitor |
Traitor: (Overture) |
|
2008 |
| Red |
Red: (Magnolia) |
|
2008 |
| The Longshots |
The Longshots: (MGM/Dimension) |
|
2008 |
| I Served The King of England |
I Served The King of England: (Sony Pictures Classic) |
|
2008 |
| Death Race |
Death Race: (Universal) |
|
2008 |
| What We Do Is Secret |
What We Do Is Secret: (Peace Arch/Vitagraph) |
|
2008 |
| Trouble The Water |
Trouble The Water: (Zeitgeist) |
|
2008 |
| Mirrors |
Mirrors: (20th Century Fox) |
|
2008 |
| I.O.U.S.A. |
I.O.U.S.A.: (Roadside Attractions) |
|
2008 |
| In Search Of A Midnight Kiss |
In Search Of A Midnight Kiss: (IFC) |
|
2008 |
| America The Beautiful |
America The Beautiful: (First Independent Pictures) |
|
2008 |
| Hamlet 2 |
Hamlet 2: Loving The Things That You Mock |
|
2008 |
| Jack Brooks |
Jack Brooks: Monster Slayer: (Brookstreet/Anchor Bay Entertainment) |
|
2008 |
| Fly Me to the Moon |
Fly Me to the Moon: (Summit Entertainment) |
|
2008 |
| The Exiles |
The Exiles: (Milestone) |
|
2008 |
| Transsiberian |
Transsiberian: (First Look Studios) |
|
2008 |
| Sixty Six |
Sixty Six: (First Independent) |
|
2008 |
| Pineapple Express |
Pineapple Express: (Columbia) |
|
2008 |
| Sisterhood/Pants 2 |
The Sisterhood of the Traveling Pants 2: (Warner Bros.) |
|
2008 |
| Order of Myths |
The Order of Myths: (Cinema Guild) |
|
2008 |
| Elegy |
Elegy: (Samuel Goldwyn) |
|
2008 |
| Bottle Shock |
Bottle Shock: (Freestyle Releasing) |
|
2008 |
| Man on Wire |
Man on Wire: 1,350 Feet High, Philippe Petit walks between the World Trade Center Towers. |
|
2008 |
| A Jihad for Love |
A Jihad for Love: (Halal) |
|
2008 |
| Dark Knight |
The Dark Knight: (Warner Bros.) |
|
2008 |
| Take |
Take: (Liberation Entertainment) |
|
2008 |
| Step Brothers |
Step Brothers: (Columbia) |
|
2008 |
| Mummy 3 |
The Mummy: Tomb of the Dragon Emperor: (Universal) |
|
2008 |
| Love Comes Lately |
Love Comes Lately: (Kino) |
|
2008 |
| Frozen River |
Frozen River: (Sony Pictures Classics) |
|
2008 |
| Eight Miles High |
Eight Miles High: (Dokument) |
|
2008 |
| A Very British Gangster |
A Very British Gangster: (Anywhere Road) |
|
2008 |
| No Regret |
No Regret: (Regent Releasing/Here!) |
|
2008 |
| A Man Named Pearl |
A Man Named Pearl: (Shadow Distribution) |
|
2008 |
| Kenny |
Kenny: (Xenon) |
|
2008 |
| Homo Erectus |
Homo Erectus: (National Lampoon) |
|
2008 |
| Felon |
Felon: (Stage 6th Films) |
|
2008 |
| Harold |
Harold: (City Lights Pictures/M.E.G.A.) |
|
2008 |
| Garden Party |
Garden Party: (Roadside Attractions) |
|
2008 |
| Bustin' Down the Door |
Bustin' Down the Door: (Screen Media) |
|
2008 |
| Boy A |
Boy A: (The Weinstein Company) |
|
2008 |
| Baghead |
Baghead: (Sony Pictures Classics) |
|
2008 |
| Last Mistress |
The Last Mistress: (IFC) |
|
2008 |
| Hancock |
Hancock: (Columbia) |
|
2008 |
| Gonzo |
Gonzo: The Life and Work of Dr. Hunter S. Thompson: (Magnolia) |
|
2008 |
| Diminished Capacity |
Diminished Capacity: (IFC) |
|
2008 |
| Chris & Don: A Love Story |
Chris & Don: A Love Story: (Zeitgeist) |
|
2008 |
| Wanted |
Wanted: (Universal) |
|
2008 |
| Unknown Woman |
The Unknown Woman: (Outsider Pictures) |
|
2008 |
| Trumbo |
Trumbo: (Samuel Goldwyn) |
|
2008 |
| Tell No One |
Tell No One: (Music Box) |
|
2008 |
| Kicking It |
Kicking It: (Liberation Entertainment) |
|
2008 |
| Finding Amanda |
Finding Amanda: (Magnolia) |
|
2008 |
| Expired |
Expired: (MCR Releasing) |
|
2008 |
| Encounters at the End of the World |
Encounters at the End of the World: (THINKFilm) |
|
2008 |
| Never Forever |
Never Forever: (Arts Alliance America) |
|
2008 |
| Incredible Hulk (2008) |
The Incredible Hulk (2008): (Universal) |
|
2008 |
| Savage Grace |
Savage Grace: (IFC) |
|
2008 |
| Quid Pro Quo |
Quid Pro Quo: (Magnolia) |
|
2008 |
| Poultrygeist: Night of the Chicken Dead |
Poultrygeist: Night of the Chicken Dead: (Troma Entertainment) |
|
2008 |
| When Did You Last See Your Father? |
When Did You Last See Your Father?: (Sony Pictures Classics) |
|
2008 |
| Sex and the City |
Sex and the City: (New Line) |
|
2008 |
| Miss Conception |
Miss Conception: (First Look) |
|
2008 |
| Carbuncle |
Carbuncle: (Misfit) |
|
2008 |
| Strangers |
The Strangers: (Rogue Pictures) |
|
2008 |
| Hollywood Chinese |
Hollywood Chinese: (DeepFocus) |
|
2008 |
| Edge of Heaven |
The Edge of Heaven: (Strand Releasing) |
|
2008 |
| Chop Shop |
Chop Shop: (Koch Lorber) |
|
2008 |
| At the Death House Door |
At the Death House Door: (IFC) |
|
2008 |
| War, Inc. |
War, Inc.: (First Look) |
|
2008 |
| Sangre de Mi Sangre |
Sangre de Mi Sangre (Blood of My Blood): (IFC) |
|
2008 |
| Refusenik |
Refusenik: (Abramorama/The Foundation of Documentary Projects) |
|
2008 |
| Indiana Jones and the Kingdom of the Crystal Skull |
Indiana Jones and the Kingdom of the Crystal Skull: (Paramount) |
|
2008 |
| Heavy Metal in Baghdad |
Heavy Metal in Baghdad: (Arts Alliance America/VBS.TV/Vice Films) |
|
2008 |
| Prince Caspian |
The Chronicles of Narnia: Prince Caspian: (Buena Vista) |
|
2008 |
| Children of Huang Shi |
The Children of Huang Shi: (Sony Pictures Classics) |
|
2008 |
| Water Lilies |
Water Lilies: (Koch Lorber/Red Envelope) |
|
2008 |
| Unsettled |
Unsettled: (Resonance Pictures) |
|
2008 |
| Roman de Gare |
Roman de Gare: (Samuel Goldwyn Films) |
|
2008 |
| Noise |
Noise: (THINKFilm) |
|
2008 |
| A Previous Engagement |
A Previous Engagement: (Buccaneer Films/Palisades Pictures) |
|
2008 |
| Mister Lonely |
Mister Lonely: (IFC) |
|
2008 |
| Made of Honor |
Made of Honor: (Columbia) |
|
2008 |
| Iron Man |
Iron Man: (Paramount) |
|
2008 |
| Fall |
The Fall: (Roadside Attractions) |
|
2008 |
| Babysitters |
The Babysitters: (Peace Arch) |
|
2008 |
| Standard Operating Procedure |
Standard Operating Procedure: (Sony Pictures Classics) |
|
2008 |
| Redbelt |
Redbelt: (Sony Pictures Classics) |
|
2008 |
| Fugitive Pieces |
Fugitive Pieces: (IDP/Samuel Goldwyn) |
|
2008 |
| Anamorph |
Anamorph: (IFC) |
|
2008 |
| Baby Mama |
Baby Mama: (Universal) |
|
2008 |
| Then She Found Me |
Then She Found Me: (THINKFilm) |
|
2008 |
| Jellyfish |
Jellyfish: (Zeitgeist) |
|
2008 |
| Zombie Strippers |
Zombie Strippers: (Triumph) |
|
2008 |
| Where in the World is Osama bin Laden? |
Where in the World is Osama bin Laden?: (The Weinstein Company) |
|
2008 |
| Life Before Her Eyes |
The Life Before Her Eyes: (Magnolia) |
|
2008 |
| Forgetting Sarah Marshall |
Forgetting Sarah Marshall: (Universal) |
|
2008 |
| Expelled |
Expelled: No Intelligence Allowed: (Premise Media) |
|
2008 |
| Dark Matter |
Dark Matter: (First Independent Pictures) |
|
2008 |
| Take |
The Take: (Destination Films) |
|
2008 |
| Smart People |
Smart People: (Miramax) |
|
2008 |
| Orthodox Stance |
Orthodox Stance: (Oxbow Lake Films) |
|
2008 |
| Leatherheads |
Leatherheads: (Universal) |
|
2008 |
| Bra Boys |
Bra Boys: (Berkela Films) |
|
2008 |
| Shine A Light |
Shine A Light: (Paramount) |
|
2008 |
| My Brother Is An Only Child |
My Brother Is An Only Child: (THINKFilm) |
|
2008 |
| My Blueberry Nights |
My Blueberry Nights: (Weinstein Company) |
|
2008 |
| Chapter 27 |
Chapter 27: (Peace Arch Entertainment) |
|
2008 |
| Flawless |
Flawless: (Magnolia) |
|
2008 |
| Drillbit Taylor |
Drillbit Taylor: (Paramount) |
|
2008 |
| Boarding Gate |
Boarding Gate: (Magnet Films) |
|
2008 |
| 21 |
21: (Columbia) |
|
2008 |
| Rocky Horror Picture Show |
The Rocky Horror Picture Show: March 22 @ Nuart Theatre |
|
2008 |
| Funny Games |
Funny Games: (Warner Independent) |
|
2008 |
| Flash Point |
Flash Point: (Genius Products/The Weinstein Company) |
|
2008 |
| Paranoid Park |
Paranoid Park: (IFC) |
|
2008 |
| College Road Trip |
College Road Trip: (Buena Vista) |
|
2008 |
| Girls Rock! |
Girls Rock!: |
|
2008 |
| Other Boleyn Girl |
The Other Boleyn Girl: (Columbia) |
|
2008 |
| Vivere |
Vivere: (Regent Releasing) |
|
2008 |
| Vantage Point |
Vantage Point: (Columbia) |
|
2008 |
| Romulus, My Father |
Romulus, My Father: (Magnolia) |
|
2008 |
| A Walk to Beautiful |
A Walk to Beautiful: (Engel Entertainment) |
|
2008 |
| Signal |
The Signal: (Magnolia) |
|
2008 |
| Oscar Nominated Shorts |
The Oscar® Nominated Shorts: (Magnolia) |
|
2008 |
| Bag Boy |
National Lampoon's Bag Boy: (Red Rock) |
|
2008 |
| Jumper |
Jumper: (20th Century Fox) |
|
2008 |
| Cover |
Cover: (American Cinema International) |
|
2008 |
| Counterfeiters |
The Counterfeiters: (Sony Pictures Classics) |
|
2008 |
| Diary of the Dead |
George A. Romero's Diary of the Dead: (The Weinstein Company) |
|
2008 |
| Definitely, Maybe |
Definitely, Maybe: (Universal) |
|
2008 |
| Trailer Park Boys: The Movie |
Trailer Park Boys: The Movie: (Screen Media Films/Cavu Pictures) |
|
2008 |
| Caramel |
Caramel: (Roadside Attractions) |
|
2008 |
| 4 Months 3 Weeks 2 Days |
4 Months, 3 Weeks and 2 Days: (IFC) |
|
2008 |
| How She Move |
How She Move: (Paramount Vantage) |
|
2008 |
| Cloverfield |
Cloverfield: (Paramount) |
|
2008 |
| Alice's House |
Alice's House: (FiGa Films) |
|
2008 |
| Teeth |
Teeth: (Roadside Attractions) |
|
2008 |
| Day Zero |
Day Zero: (First Look Studios) |
|
2008 |
| Cassandra's Dream |
Cassandra's Dream: (The Weinstein Company) |
|
2008 |
| Running With Arnold |
Running With Arnold: (Endless World Entertainment) |
|
2008 |
| First Sunday |
First Sunday: (Sony) |
|
2008 |
| Strength and Honor |
Strength and Honor: (Slowhand Releasing) |
|
2007 |
| Romance & Cigarettes |
Romance & Cigarettes: (Boroturro) |
|
2007 |
| Orphanage |
The Orphanage: (Picturehouse) |
|
2007 |
| Man in the Chair |
Man in the Chair: (Outsider Entertainment) |
|
2007 |
| Look |
Look: (Liberated Artists) |
|
2007 |
| Grace is Gone |
Grace is Gone: (Weinstein Company) |
|
2007 |
| Singing Revolution |
The Singing Revolution: (Mountain View Productions) |
|
2007 |
| Oswald's Ghost |
Oswald's Ghost: (Seventh Art Releasing) |
|
2007 |
| Juno |
Juno: (Fox Searchlight) |
|
2007 |
| Dirty Laundry |
Dirty Laundry: (Codeblack) |
|
2007 |
| Band's Visit |
The Band's Visit: (Sony Pictures Classics) |
|
2007 |
| Amateurs |
The Amateurs: (First Look) |
|
2007 |
| Savages |
The Savages: (Fox Searchlight) |
|
2007 |
| Diving Bell and the Butterfly |
The Diving Bell and the Butterfly: (Miramax) |
|
2007 |
| Smiley Face |
Smiley Face: (First Look) |
|
2007 |
| Nina's Heavenly Delights |
Nina's Heavenly Delights: (Regent Releasing) |
|
2007 |
| Love in the Time of Cholera |
Love in the Time of Cholera: (New Line) |
|
2007 |
| August Rush |
August Rush: (Warner Bros.) |
|
2007 |
| Saawariya |
Saawariya: (Sony) |
|
2007 |
| Beowulf |
Beowulf: (Paramount) |
|
2007 |
| Steal A Pencil For Me |
Steal A Pencil For Me: (Seventh Art Releasing/Red Envelope Entertainment) |
|
2007 |
| P2 |
P2: (Summit Entertainment) |
|
2007 |
| No Country For Old Men |
No Country For Old Men: (Miramax) |
|
2007 |
| Park |
Park: (Mello Releasing) |
|
2007 |
| Jimmy Carter |
Jimmy Carter Man From Plains: (Sony Pictures Classics) |
|
2007 |
| Darfur Now |
Darfur Now: (Warner Independent) |
|
2007 |
| Black Irish |
Black Irish: (Anywhere Road) |
|
2007 |
| American Gangster |
American Gangster: (Universal) |
|
2007 |
| Slipstream |
Slipstream: (Strand Releasing) |
|
2007 |
| O Jerusalem |
O Jerusalem: (Samuel Goldwyn Films) |
|
2007 |
| King Corn |
King Corn: (Balcony Releasing/Mosaic Films) |
|
2007 |
| Control |
Control: (The Weinstein Company) |
|
2007 |
| 30 Days of Night |
30 Days of Night: (Sony) |
|
2007 |
| Wristcutters: A Love Story |
Wristcutters: A Love Story: (Autonomous Films) |
|
2007 |
| Why Did I Get Married? |
Why Did I Get Married?: (Lionsgate) |
|
2007 |
| We Own the Night |
We Own the Night: (Columbia) |
|
2007 |
| Things We Lost in the Fire |
Things We Lost in the Fire: (DreamWorks) |
|
2007 |
| Reservation Road |
Reservation Road: (Focus Features) |
|
2007 |
| Golda's Balcony |
Golda's Balcony: (AV Productions) |
|
2007 |
| Broken |
Broken: (Truly Indie) |
|
2007 |
| Colma: The Musical |
Colma: The Musical: (Roadside Attractions) |
|
2007 |
| Sleuth |
Sleuth: (Sony Pictures Classics) |
|
2007 |
| Elizabeth: The Golden Age |
Elizabeth: The Golden Age: (Universal) |
|
2007 |
| Lust, Caution |
Lust, Caution: (Focus Features) |
|
2007 |
| Kurt Cobain About a Son |
Kurt Cobain About a Son: (Balcony Releasing) |
|
2007 |
| Darjeeling Limited |
The Darjeeling Limited: (Fox Searchlight) |
|
2007 |
| Trade |
Trade: (Roadside Attractions) |
|
2007 |
| Resident Evil: Extinction |
Resident Evil: Extinction: (Sony) |
|
2007 |
| Feast of Love |
Feast of Love: (MGM) |
|
2007 |
| Itty Bitty Titty |
Itty Bitty Titty Committee: (Power Up Films) |
|
2007 |
| Assassination of Jesse James by the Coward Robert Ford |
The Assassination of Jesse James by the Coward Robert Ford: (Warner) |
|
2007 |
| Jane Austen Book Club |
The Jane Austen Book Club: (Sony Pictures Classics) |
|
2007 |
| Antonia |
Antonia: (Anywhere Road/Red Envelope Entertainment) |
|
2007 |
| Across the Universe |
Across the Universe: (Sony) |
|
2007 |
| Moving McAllister |
Moving McAllister: (First Independent Pictures) |
|
2007 |
| King of California |
King of California: (First Look Pictures) |
|
2007 |
| I Want Eat Cheese |
I Want Someone to Eat Cheese With: (IFC) |
|
2007 |
| Eastern Promises |
Eastern Promises: (Focus Features) |
|
2007 |
| Blame It on Fidel! |
Blame It on Fidel!: (Koch Lorber Films) |
|
2007 |
| Milarepa |
Milarepa: (Luminous Velocity Releasing) |
|
2007 |
| Ira & Abby |
Ira & Abby: (Magnolia Pictures) |
|
2007 |
| Fierce People |
Fierce People: (After Dark Films) |
|
2007 |
| Manda Bala |
Manda Bala: (City Lights Pictures) |
|
2007 |
| In Shadow of Moon |
In the Shadow of the Moon: (THINKFilm) |
|
2007 |
| Hunting Party |
The Hunting Party: (The Weinstein Company) |
|
2007 |
| Bubble |
The Bubble: (Strand Releasing) |
|
2007 |
| Self-Medicated |
Self-Medicated: (THINKFilm) |
|
2007 |
| Freshman Orientation |
Freshman Orientation: (Regent Releasing) |
|
2007 |
| Right At Your Door |
Right At Your Door: (Roadside Attractions) |
|
2007 |
| Nanny Diaries |
The Nanny Diaries: (MGM) |
|
2007 |
| In A Day |
In A Day: (Goldcrest Films) |
|
2007 |
| Illegal Tender |
Illegal Tender: (Universal) |
|
2007 |
| Dedication |
Dedication: (The Weinstein Company) |
|
2007 |
| Stardust |
Stardust: (Paramount) |
|
2007 |
| King of Kong |
King of Kong: (Picturehouse) |
|
2007 |
| Death at a Funeral |
Death at a Funeral: (MGM) |
|
2007 |
| Hot Rod |
Hot Rod: (Paramount) |
|
2007 |
| Cut Sleeve Boys |
Cut Sleeve Boys: (Regent Releasing) |
|
2007 |
| Descent |
Descent: (City Lights Pictures) |
|
2007 |
| 2 Days in Paris |
2 Days in Paris: (Samuel Goldwyn Films) |
|
2007 |
| This is England |
This is England: (IFC) |
|
2007 |
| No End in Sight |
No End in Sight: (Magnolia Pictures) |
|
2007 |
| Girl 27 |
Girl 27: (Red Envelope Entertainment) |
|
2007 |
| El Cantante |
El Cantante: (Picturehouse) |
|
2007 |
| Becoming Jane |
Becoming Jane: (Miramax) |
|
2007 |
| I Know Who Killed Me |
I Know Who Killed Me: (Sony) |
|
2007 |
| Punk's Not Dead |
Punk's Not Dead: (A Susan Dynner Film) |
|
2007 |
| Sunshine |
Sunshine: Global Warming's Not A Problem If We're All Dead |
|
2007 |
| I Now Pronounce You Chuck and Larry |
I Now Pronounce You Chuck and Larry: (Universal) |
|
2007 |
| Harry Potter and the Order of the Phoenix |
Harry Poter and the Order of the Phoenix: (Warner) |
|
2007 |
| Lady Chatterley |
Lady Chatterley: (KINO International) |
|
2007 |
| Goya's Ghosts |
Goya's Ghosts: (Samuel Goldwyn Films) |
|
2007 |
| David & Layla |
David & Layla: (NEWROZ Films) |
|
2007 |
| Cashback |
Cashback: (Magnolia Pictures) |
|
2007 |
| Arctic Tale |
Arctic Tale: (Paramount Classics) |
|
2007 |
| Tekkonkinkreet |
Tekkonkinkreet: (Sony Pictures) |
|
2007 |
| Sicko |
Sicko: (Lionsgate) |
|
2007 |
| Joshua |
Joshua: (Fox Searchlight) |
|
2007 |
| I Have Never Forgotten You |
I Have Never Forgotten You: (Luminous Velocity Releasing/Moriah Films) |
|
2007 |
| Ghosts of Cité Soleil |
Ghosts of Cité Soleil: (THINKFilm) |
|
2007 |
| Rescue Dawn |
Rescue Dawn : (MGM) |
|
2007 |
| Gypsy Caravan |
Gypsy Caravan: (Shadow Distribution) |
|
2007 |
| Evening |
Evening: (Focus Features) |
|
2007 |
| Evan Almighty |
Evan Almighty: (Universal) |
|
2007 |
| Vitus |
Vitus: (Sony Pictures Classics) |
|
2007 |
| Broken English |
Broken English: (Magnolia Films) |
|
2007 |
| Black Sheep (2007) |
Black Sheep: (IFC) |
|
2007 |
| Treatment |
The Treatment: (New Yorker Films) |
|
2007 |
| Ocean's 13 |
Ocean's 13: (Warner Bros) |
|
2007 |
| Golden Door |
Golden Door: (Miramax) |
|
2007 |
| Eagle vs. Shark |
Eagle vs. Shark: (Miramax) |
|
2007 |
| Ten Canoes |
Ten Canoes: (Palm) |
|
2007 |
| Surf's Up |
Surf's Up: (Sony) |
|
2007 |
| Crazy Love |
Crazy Love: (Magnolia Pictures) |
|
2007 |
| Fantastic Four: Rise of the Silver Surfer |
The Fantastic Four: Rise of the Silver Surfer: |
|
2007 |
| Pirates of the Caribbean: At World's End |
Pirates of the Caribbean: At World's End: (Buena Vista) |
|
2007 |
| Knocked Up |
Knocked Up: (Universal) |
|
2007 |
| Devil Came on Horseback |
The Devil Came on Horseback: (Break Thru Films) |
|
2007 |
| Bug |
Bug: (Lionsgate) |
|
2007 |
| Paris, Je T'Aime |
Paris, Je T'Aime: (First Look Pictures) |
|
2007 |
| Salon |
Salon: (Twentieth Century Fox) |
|
2007 |
| Hollywood Dreams |
Hollywood Dreams: (The Rainbow Film Company) |
|
2007 |
| Georgia Rule |
Georgia Rule: (Universal) |
|
2007 |
| Even Money |
Even Money: (Yari Film Group) |
|
2007 |
| Salon |
Salon: (Twentieth Century Fox) |
|
2007 |
| Wendell Baker Story |
The Wendell Baker Story: (THINKFilm) |
|
2007 |
| Last Time |
The Last Time: (Destination Films) |
|
2007 |
| Hip Hop Project |
The Hip Hop Project: (THINKFilm) |
|
2007 |
| Duck |
Duck: (Right Brained Releasing |
|
2007 |
| Waitress |
Waitress: (Fox Searchlight) |
|
2007 |
| Spider-Man 3 |
Spider-Man 3: (Sony) |
|
2007 |
| Next |
Next: (Paramount) |
|
2007 |
| Sing Now |
Sing Now of Forever Hold Your Peace: (Strand Releasing) |
|
2007 |
| Diggers |
Diggers: (Magnolia Films) |
|
2007 |
| Valet |
The Valet: (Sony Pictures Classics) |
|
2007 |
| Whole New Thing |
Whole New Thing: |
|
2007 |
| Unconscious |
Unconscious: (Regent Releasing) |
|
2007 |
| Everything's Gone Green |
Everything's Gone Green: (First Independent Pictures |
|
2007 |
| Aqua Teen Hunger Force Colon Movie Film For Theaters |
Aqua Teen Hunger Force Colon Movie Film For Theaters: (First Look Studios) |
|
2007 |
| Plagues & Pleasures on the Salton Sea |
Plagues & Pleasures on the Salton Sea: (Tilapia Film) |
|
2007 |
| Red Road |
Red Road: (Tartan) |
|
2007 |
| Lonely Hearts |
Lonely Hearts: (Millenium) |
|
2007 |
| Perfect Stranger |
Perfect Stranger: (Columbia) |
|
2007 |
| After the Wedding |
After the Wedding: (IFC) |
|
2007 |
| TV Set |
The TV Set: (ThinkFilm) |
|
2007 |
| Prisoner Or: How I Planned To Kill Tony Blair |
The Prisoner Or: How I Planned to Kill Tony Blair: (Red Envelope Entertainment) |
|
2007 |
| G.I. Jesus |
G. I. Jesus: (Cineville & Picture Entertainment) |
|
2007 |
| Blades of Glory |
Blades of Glory: (Dream Works) |
|
2007 |
| I Think I Love My Wife |
I Think I Love My Wife: (Fox Searchlight) |
|
2007 |
| Reign Over Me |
Reign Over Me: (Columbia) |
|
2007 |
| Color Me Kubrick |
Color Me Kubrick: (Magnolia Pictures) |
|
2007 |
| Days of Glory |
Days of Glory: (Tessalit Productions) |
|
2007 |
| Nomad: The Warrior |
Nomad: The Warrior: (Weinstein) |
|
2007 |
| Bridge to Terabithia |
Bridge to Terabithia: (Disney) |
|
2007 |
| Breach |
Breach: (Universal) |
|
2007 |
| Music and Lyrics |
Music and Lyrics: (Warner) |
|
2007 |
| Because I Said So |
Because I Said So: (Universal) |
|
2007 |
| Catch and Release |
Catch and Release: (Sony) |
|
2007 |
| Stomp the Yard |
Stomp the Yard: (Sony) |
|
2007 |
| Alpha Dog |
Alpha Dog: |
|
2007 |
| Freedom Writers |
Freedom Writers: (Paramount) |
|
2007 |
| Football Film |
The Ultimate Top 10: Football Films |
|
2006 |
| Children of Men |
Children of Men: (Universal) |
|
2006 |
| Van Wilder: The Rise of Taj |
Van Wilder: The Rise of Taj: (MGM) |
|
2006 |
| Deja Vu |
Deja Vu: (Touchstone) |
|
2006 |
| Casino Royale |
Casino Royale: (Columbia Pictures) |
|
2006 |
| Harsh Times |
Harsh Times: (MGM) |
|
2006 |
| Babel |
Babel: (Paramount) |
|
2006 |
| Conversations With God |
Conversations With God: (Samuel Goldwyn Films) |
|
2006 |
| Catch of Fire |
Catch of Fire: (Focus Features) |
|
2006 |
| White Picket Fence |
White Picket Fence: |
|
2006 |
| Employee of the Month |
Employee of the Month: |
|
2006 |
| Guardian |
The Guardian: |
|
2006 |
| American Hardcore |
American Hardcore: Sony Picture Classics |
|
2006 |
| Renaissance |
Renaissance: |
|
2006 |
| U.S. vs. John Lennon |
The U.S. vs. John Lennon: (Lionsgate) |
|
2006 |
| Hollywoodland |
Hollywoodland: |
|
2006 |
| Idlewild |
Idlewild: |
|
2006 |
| Trust the Man |
Trust the Man: |
|
2006 |
| Conversations With Other Women |
Conversations With Other Women: |
|
2006 |
| Scoop |
Scoop: |
|
2006 |
| Little Man |
Little Man: (Sony) |
|
2006 |
| You, Me and Dupree |
You, Me and Dupree: (Universal) |
|
2006 |
| Puffy Chair |
The Puffy Chair: |
|
2006 |
| Superman Returns |
Superman Returns: |
|
2006 |
| King |
The King: |
|
2006 |
| Break-Up |
The Break-Up: |
|
2006 |
| X-Men: The Last Stand |
X-Men: The Last Stand: |
|
2006 |
| An Inconvenient Truth |
An Inconvenient Truth: |
|
2006 |
| Lost City |
The Lost City: |
|
2006 |
| Hoot |
Hoot: |
|
2006 |
| United 93 |
United 93: |
|
2006 |
| Water |
Water: |
|
2006 |
| Beauty Academy of Kabul |
The Beauty Academy of Kabul: |
|
2006 |
| Preaching to the Choir |
Preaching to the Choir: |
|
2006 |
| Kinky Boots |
Kinky Boots: |
|
2006 |
| On a Clear Day |
On a Clear Day: |
|
2006 |
| Lucky Number Slevin |
Lucky Number Slevin: |
|
2006 |
| Dealing Dogs |
Dealing Dogs: |
|
2006 |
| Evil |
Evil: |
|
2006 |
| Thank You For Smoking |
Thank You For Smoking: |
|
2006 |
| Dave Chappelle's Block Party |
Dave Chappelle's Block Party: |
|
2006 |
| Nightwatch |
Nightwatch: |
|
2006 |
| Freedomland |
Freedomland: |
|
2006 |
| Tristram Shandy: A Cock and Bull Story |
Tristram Shandy: A Cock and Bull Story: |
|
2006 |
| Annapolis |
Annapolis: |
|
2006 |
| Looking For Comedy in the Muslim World |
Looking For Comedy in the Muslim World: |
|
2006 |
| Casanova |
Casanova: |
|
2006 |
| Match Point |
Match Point: |
|
2006 |
| Producers (2005) |
The Producers: |
|
2005 |
| King Kong (2005) |
King Kong: |
|
2005 |
| Rent |
Rent: |
|
2005 |
| Yours, Mine and Ours |
Yours, Mine and Ours: |
|
2005 |
| Bee Season |
Bee Season: |
|
2005 |
| Harry Potter and the Goblet of Fire |
Harry Potter and the Goblet of Fire: |
|
2005 |
| Saw II |
Saw II: |
|
2005 |
| Shopgirl |
Shopgirl: |
|
2005 |
| Capote |
Capote: |
|
2005 |
| Elizabethtown |
Elizabethtown: |
|
2005 |
| Domino |
Domino: |
|
2005 |
| Innocent Voices |
Innocent Voices: |
|
2005 |
| A History of Violence |
A History of Violence: |
|
2005 |
| MirrorMask |
MirrorMask: (Destination/Samuel Goldwyn) |
|
2005 |
| Steal Me |
Steal Me: |
|
2005 |
| Everything is Illuminated |
Everything is illuminated: |
|
2005 |
| Undiscovered |
Undiscovered: Lions Gate |
|
2005 |
| Constant Gardener |
The Constant Gardener: |
|
2005 |
| Supercross |
Supercross: 20thCenturyFox |
|
2005 |
| Red Eye |
RED EYE: DreamWorks |
|
2005 |
| Last Days |
Last Days: (HBO Films/Fine Line) |
|
2005 |
| Hustle & Flow |
Hustle & Flow: (MTV Films/Paramount Classics) |
|
2005 |
| Open Water |
Open Water: (Lions Gate) |
|
2005 |
| Code 46 |
Code 46: (United Artists) |
|
2005 |
| March of Penguins |
March of the Penguins: (Warner Independent) |
|
2005 |
| Heights |
Heights: (Sony Pictures Classics) |
|
2005 |
| Perfect Man, The |
The Perfect Man: (Universal) |
|
2005 |
| Bewitched |
Bewitched: (Sony) |
|
2005 |
| Garden State |
Garden State: (Fox Searchlight) |
|
2005 |
| Brown Bunny, The |
The Brown Bunny: (Wellspring) |
|
2005 |
| Hero |
Hero: (Miramax) |
|
2005 |
| Suspect Zero |
Suspect Zero: (Paramount) |
|
2005 |
| Birth |
Birth: (New Line) |
|
2005 |
| Alfie |
Alfie: (Paramount) |
|
2005 |
| First Daughter |
First Daughter: (20th Century Fox) |
|
2005 |
| I Heart Huckabees |
I Heart Huckabees: (Fox Searchlight) |
|
2005 |
| Lords of Dogtown |
Lords of Dogtown: (Sony) |
|
2005 |
| Batman Begins |
Batman Begins: (Warner Bros.) |
|
2005 |
| Palindromes |
Palindromes: (Wellspring) |
|
2005 |
| Winter Solstice |
Winter Solstice: (Paramount Classics) |
|
2005 |
| Anatomy of Hell |
Anatomy of Hell: (Tartan Films) |
|
2005 |
| Cinderella Man |
Cinderella Man: (Universal) |
|
2005 |
| Cerebral Print |
Cerebral Print: The Secret Files: (Angry Baby Monkey Pictures) |
|
2005 |
| I Am David |
I Am David: (Lions Gate) |
|
2005 |
| Spanglish |
Spanglish: (Sony) |
|
2005 |
| Nobody Knows |
Nobody Knows: (IFC) |
|
2005 |
| You I Love |
You I Love: (Picture This!) |
|
2005 |
| Star Wars: Episode 3 |
Star Wars: Episode III - Revenge of the Sith: (Fox) |
|
2005 |
| Steamboy |
Steamboy: (Triumph Releasing) |
|
2005 |
| Ring Two, The |
The Ring Two: (DreamWorks) |
|
2005 |
| Guess Who |
Guess Who: (Columbia) |
|
2005 |
| Melinda & Melinda |
Melinda and Melinda: (Fox Searchlight) |
|
2005 |
| Crash |
Crash: (Lions Gate) |
|
2005 |
| Kingdom of Heaven |
Kingdom of Heaven: (20th Century Fox) |
|
2005 |
| XXX: State of Union |
XXX: State of The Union: (Columbia) |
|
2005 |
| Hitchhiker's Guide |
The Hitchhiker's Guide to the Galaxy: (Touchstone) |
|
2005 |
| Interpreter, The |
The Interpreter: (Universal) |
|
2005 |
| Downfall |
Downfall: (Newmarket) |
|
2005 |
| Walk on Water |
Walk on Water: (Samuel Goldwyn/Roadside Attractions) |
|
2005 |
| Wild Parrots |
The Wild Parrots of Telegraph Hill: (Shadow Distribution) |
|
2005 |
| Mail Order Wife |
Mail Order Wife: (Lions Gate) |
|
2005 |
| Upside of Anger |
The Upside of Anger: (New Line) |
|
2005 |
| Hostage |
Hostage: (Miramax) |
|
2005 |
| Face |
Face: (Indican) |
|
2005 |
| Masculine Feminine |
Masculine Feminine: (Rialto) |
|
2005 |
| Keys To The House, The |
The Keys To The House: (Lions Gate) |
|
2005 |
| Lost Embrace |
Lost Embrace: (New Yorker Films) |
|
2005 |
| Nomi Song, The |
The Nomi Song: (Palm Pictures) |
|
2005 |
| In Realms Of Unreal |
In The Realms Of The Unreal: (Wellspring) |
|
2005 |
| Are We There Yet? |
Are We There Yet?: (Sony) |
|
2005 |
| Surviving Christmas |
Surviving Christmas: DreamWorks |
|
2005 |
| Team America:World Police |
Team America:World Police: Paramount |
|
2005 |
| Stage Beauty |
Stage Beauty: Lions Gate |
|
2005 |
| Shaun of the Dead |
Shaun of the Dead: Working Title |
|
2005 |
| Yes Men, The |
The Yes Men: United Artists |
|
2005 |
| Sex Is Comedy |
Sex Is Comedy: (IFC Films) |
|
2005 |
| Other Side of AIDS, The |
The Other Side of AIDS: (Hazel Wood Pictures) |
|
2005 |
| Ocean's 12 |
Ocean's 12: (Warner Bros.) |
|
2004 |
| Cineplex Top 10 |
Cineplex Top 10: For February 28 |
|
2004 |
| Overnight |
Overnight: (ThinkFilm) |
|
2004 |
| Finding Neverland |
Finding Neverland: (Miramax) |
|
2004 |
| Ghost in the Shell 2 |
Ghost in the Shell 2: Innocence: (Go Fish/DreamWorks) |
|
2004 |
| Sky Captain & the World of Tomorrow |
Sky Captain & the World of Tomorrow: (Paramount) |
|
2004 |
| THX-1138 |
THX-1138: The George Lucas Director's Cut: (Warner) |
|
2004 |
| Donnie Darko |
Donnie Darko: The Director’s Cut: (Newmarket) |
|
2004 |
| Ju-on |
Ju-on: (Lionsgate) |
|
2004 |
| Maria Full of Grace |
Maria Full of Grace: (Fine Line) |
|
2004 |
| Riding Giants |
Riding Giants: (Sony Pictures Classics) |
|
2004 |
| Notebook |
The Notebook: (New Line) |
|
2004 |
| Before Sunset |
Before Sunset: (Warner Independent) |
|
2004 |
| House of 1,000 Corpses |
House of 1,000 Corpses: (Lionsgate) |
|
2004 |
| Confessions of a Dangerous Mind |
Confessions of a Dangerous Mind: (Miramax) |
|
2004 |
| City of God |
City of God: (Miramax) |
|
2004 |
| Chicago |
Chicago: (Miramax) |
|
2004 |
| Blind Spot |
Blind Spot: (Sony Pictures Classics) |
|
2004 |
| Biker Boyz |
Biker Boyz: (Dreamworks) |
|
2004 |
| A Mighty Wind |
A Mighty Wind: (Warner) |
|
2004 |
| Van Helsing |
Van Helsing: (Universal) |
|
2004 |
| Facing Windows |
Facing Windows: (Sony Pictures Classics) |
|
2004 |
| Soul Plane |
Soul Plane: (MGM) |
|
2004 |
